ZZ's 1999 release, XXX, seems to be a major target for dismissive, and rather aggressive, criticism. Loathed by critics at the time, and still panned to this day, the album appears to have been a missed opportunity by the band to capitalize on the 30 year anniversary of the greatest thing to emerge from Texas since freshly discovered crude, that being the Little Ol' Band from Texas.
Produced in large part by Billy it is a collection of great, and ultimately not-so-great, studio and live cuts. Receiving minimal promotion by RCA save for a quiet release of "Fearless Boogie" and "36-22-36" as singles, the effort was further evidence of Bill Ham's fading interest in his most successful enterprise. Without the push, enthusiasm and drive of Mr. Ham the band's releases seemed to attract less and less attention from the music buying public, both potential new fans and long standing old fans (some of whom left for good upon the techno / rock genius of Eliminator).
The tour to promote the album, beginning in the fall of 1999, did nothing to encourage word of mouth about the new release. Choosing to tour with Lynyrd Skynyrd (interesting dynamics here; Skynard was always the opening act throughout however served as the main attraction in the deep south; and ZZ as the main attraction in the West and Northeast) the Top only played one song from XXX, "Fearless Boogie". This was the first indication of a continuing tradition of a lack of interest by the band in playing new tracks, seemingly stemming from either poor confidence in the new material, hesitation to 'disappoint' fans, or just plain laziness. Instead Billy and the Boyzz choose to fill the shortened playlist with cornerstones such as "Sunglasses" and "Nationwide". Having ended the US portion in March of 2000 they did go on to add three more tracks from the album upon arriving in Australia in April. Sadly due to Dusty's impending health issues the European jaunt was cancelled, which no doubt would have lead to a successful live campaign and likely increased exposure and sales of XXX in Europe.
In my opinion the album is overall quite good, of course I am a little biased. "Poke Chop Sandwich", a product of Frank's suggestion and ideas, is awesome - a very unique track in ZZ's history that is unlike anything they did before or since. "Fearless Boogie" and "36-22-36" are also strong. Some are indeed on the low end of the group's output, namely "Made Into a Movie" and "Trippin". But the real appeal here, seemingly glossed over by casual fans aka critics, are the live tracks. "Belt Buckle" and "Hey Mr. Millionaire" are excellent examples of the creativity and engrossing experience that ZZ can convey when they actually apply themselves live (some would argue they haven't done this since 1983). Full of complex starts and stops and blazing leads anchored by the professional rhythm section of Dusty and Frank, the songs sound amazing pumped loud through your stereo of choice. But the real gem here, no question about it, is "Teddy Bear". Oozing the slow bravado and assertive confidence of Dusty's finest lead vocal work, the Elvis cover is the equivalent of "Poke Chop Sandwich" in its shining example of the still harnessed commanding and capable abilities of the Texas Trio. An absolutely glaring omission from the US tour, it was brought to the stage upon arriving in Australia in April 2000 where it no doubt was extremely well received. The band completely missed the boat on this opportunity to show the still obvious vitality and viability of these middle age rockers.
Overall, an incredible effort like "Rhythmeen" is going to be difficult to follow in any circumstance, and Billy and Mr. Ham did themselves no favors when it came to promoting XXX. But that doesn't mean you and I can't still enjoy it. It you have it, find it and crank it up. If you don't have it, go on ebay or Amazon and get it, now. Upon hearing Dusty's "Teddy Bear" or Billy's "Poke Chop" you'll wonder why you waited so long to buy the album, and will likely recognize once and for all that critics are just that, critics, and you can make up your own mind when it comes to the quality and appeal of ZZ's releases.
Friday, December 31, 2010
Thursday, December 23, 2010
Memories of Tejas, Part II...
The conclusion of an awesome adventure with ZZ Top in 1976...
-----
Of course, Point Blank turned out to be nothing but a footnote in rock history. They were never able to repeat the sound or feel they had on their one chart hit, ‘Nicole.’ I remember after the initial rush of excitement being unimpressed by them. There was nothing that set them apart. Ham didn’t have his second ZZ Top and though a few years later he would hook up with Clint Black ZZ would turn out to be the one major defining act in his arsenal for practically the next thirty years. But what an act they were and, despite Ham’s recent departure, still are.
After Point Blank the next performer was Johnny Winter. This was my first of five times seeing him over the next twenty five years. The odd thing about it is before I sat down to write this I didn’t realize I’d never once attended a show because he was there. He was either an opening act every time or the one time he was the headliner he wasn’t the reason I’d gone to the show. I love Johnny, I really do. I have four or five of his recordings but it’s just always worked out that the other people playing before or after him were the reason I was there.
As is his reputation Johnny put on a blues laced show. With no more than half the band members that Point Blank had in their arsenal he produced twice the soul. Despite the huge black tarp above shielding the stage from the intense rays of the sun the albino slide guitar player rocked us deep into the late hours of the afternoon.
His brother Edgar followed performing almost note for note most of his recent album ‘Frankenstein.’ Rick Derringer kicked it out on ‘Rock and Roll Hoochie Coo’ with Johnny joining in too. Edgar was superb on the album’s title cut. It sounded exactly like it did in every teenager’s car that had an eight track player inside,
If you’ll allow me to digress for a moment I’d like to make a comment about the concept of the perfect ‘album sound’ at a live concert. It was never important to me. In fact, I’m disappointed if the sound intended for vinyl, (or whatever the format), comes across too exact at a live show. I don’t want a stage play to sound or feel like a movie, I don’t want a sporting event to appear as it does on television and, I learned this watching the Boyzz, I want the sound at a live music show to be different than the studio cuts. Rougher, slower (or faster for that matter), anything really to tweak it a bit. If all I wanted was the ‘recorded sound’ I wouldn’t bother to buy a ticket.
At least one of the Winter Brothers is still at it. I saw Edgar with Ringo Star’s All Star Band a couple of years ago. Frankenstein still sounded perfect. I’m not sure exactly to what extent but health problems have taken a heavy toll on Johnny for most of the last decade or so. Despite that, over the length of a long career he sure has provided a lot of good times.
Blue Oyster Cult was big that summer. Commercially, they were at their peak, not only in popularity but record sales too. To keep them off headliner status you had to be a top tier act, no pun intended, yourself. The Cult was in the middle of touring what would prove to be the biggest commercial album in their history, ‘Agents of Fortune.’ Besides their classic ‘Godzilla’ the albums single, ‘Don’t Fear the Reaper’ is easily the most recognizable song of their still active career.
But that summer no matter which group you came to see or if you just came for a day long party everyone stayed to the end to see ZZ.
I don’t remember the exact time it all started but the skies turned pitch black the second they doused the stadium lights. There, sitting on a mountain top high above the Texas shaped stage was the silhouette of a wolf. As lightening crackled across the painted desert backdrop the lone wolf lifted its head towards the full moon and howled. The Boyzz, dressed like the front cover of ‘Fandango’, appeared out of nowhere, center stage, under a blanket of white light, so bright it lit up virtually all of the outfield grass in front of them. We were about two hundred feet from the stage when the whole thing touched off.
I stayed with my friends throughout ‘Thunderbird’, ‘Chevrolet’, and most of the third number, ‘Precious and Grace’. I asked a couple of the guys in my group if they wanted to try and get closer to the front. They didn’t respond. I could tell they were happy where they were at. Their loss. I was the one who’d driven. Nobody could leave without me. I told them not to worry; I’d be back. If I didn’t make it before the encore finished I’d meet everyone at my dad’s car.
The exhilaration I felt the moment I took my first step forward told me I’d made the right choice. I never regretted leaving my friends behind. I grabbed my blanket and “World Wide Texas Tour” tank top and started weaving my way through the crowd. No, I don’t still have the shirt. I did though for the next decade or so before my loving wife at the time decided to donate it during a Goodwill clothing drive that fleeced at least half the husband’s closets in the neighborhood.
As I got closer the sound wasn’t as clear but the feel was better. The intensity of the performance is something I’ve never forgotten. With each step I took the thump of Dusty’s bass smacked me hard in the chest. The tone from Billy’s guitar was considerably more muffled than it’d been only a hundred feet or so behind me. But the big, chunky chords he seems to always hit with perfect timing had a feel that wasn’t nearly the same as it was back out by second base.
I’ve been reading articles online lately suggesting that maybe the stories about the live animals ZZ took on tour with them were nothing more than fabrications promoted by the band members and the gullible rock journalists and fans of the time. That’s not how I remember it.
On one side of the stage I could make out the silhouette of a long horn steer standing high above us on a raised platform. On the other side, inside the same type of contraption, was a large buffalo. Both of them moved. I saw them move. I’ve never questioned if they were real or not. I didn’t get close enough to see the rattlesnakes inside the Plexiglas box at the foot of the stage but I’ve read reports by other people who attended the tour that swear they were there.
Why isn’t there any photographic evidence that survives from the time to support their existence? First of all the band’s manager was a control freak. The band’s live shows were always a guarded secret when Mr. Ham was in charge. No doubt photo journalist passes were a tough thing to obtain not to mention full of restrictions in their usage. Heck just getting news about the band, particularly at that time, was always slow in coming.
Of course everyone didn’t have cell phones with digital cameras attached to them either. As a rule the general public didn’t carry professional quality cameras around with them. Instamatics with the rotating cube flash on the top was about as state of the art as it got for most of us.
By “Rattlesnake Shake” I was as close as I was going to get. I was on Billy’s side probably thirty feet away and hemmed in like the cuff on a pair of dress pants. I was just south of the ‘sardine section.’ When the Boyzz busted into ‘La Grange’ the stadium’s scoreboard flashed the song title in three story high letters.
The show ended with an encore of ‘Mexican Blackbird’ (“she’ll spread like an eagle for you!”), El Diablo, (a very underrated song when it’s done live), and, ‘Tush.’ Just like during La Grange the stadium scoreboard flashed the word ‘Tush’ in letters larger than life.
The show’s ending turned into a blur for me. The Boyzz, just as they do now, quickly left the stage. The lights inside the stadium came on illuminating all of the day’s sins. Beer cups, soda cups, clothing, hot dog wrappers and trash of all kinds, both known and unknown, was strewn everywhere across the Angel’s previously perfect baseball diamond. In the harsh artificial light everything that was left, including the rock and roll faithful themselves, looked tired and a bit worse for wear.
When I got to the top of the stairs leading out from the field I spotted my friends pushing their way across the packed concourse. How I was able to notice them inside that rolling tide of people I’ll never know. When I finally caught up with them I was so excited I could barely contain myself.
“Wasn’t Billy great?” I kept on asking everyone around me, not just my buddies. “Don’t they make a fucking unbelievable amount of sound for only three guys!!??”
Despite the exhaustion from the 12+ hour day there was a smile on everybody’s face and a shitload of electricity still filling the air. Yelling, screaming, fist pumping was everywhere. For a few magic moments on a very special day at the end of my teenage years, all was perfect in my world. My friends as well as everyone else who was there learned a simple fact that day if they didn’t already know it before. That fact being that wherever and whenever that “Little ‘ol Band from Texas” straps on the guitars and sets up the drums they’ll forever be a force to be reckoned with. Have Mercy!
-----
Of course, Point Blank turned out to be nothing but a footnote in rock history. They were never able to repeat the sound or feel they had on their one chart hit, ‘Nicole.’ I remember after the initial rush of excitement being unimpressed by them. There was nothing that set them apart. Ham didn’t have his second ZZ Top and though a few years later he would hook up with Clint Black ZZ would turn out to be the one major defining act in his arsenal for practically the next thirty years. But what an act they were and, despite Ham’s recent departure, still are.
After Point Blank the next performer was Johnny Winter. This was my first of five times seeing him over the next twenty five years. The odd thing about it is before I sat down to write this I didn’t realize I’d never once attended a show because he was there. He was either an opening act every time or the one time he was the headliner he wasn’t the reason I’d gone to the show. I love Johnny, I really do. I have four or five of his recordings but it’s just always worked out that the other people playing before or after him were the reason I was there.
As is his reputation Johnny put on a blues laced show. With no more than half the band members that Point Blank had in their arsenal he produced twice the soul. Despite the huge black tarp above shielding the stage from the intense rays of the sun the albino slide guitar player rocked us deep into the late hours of the afternoon.
His brother Edgar followed performing almost note for note most of his recent album ‘Frankenstein.’ Rick Derringer kicked it out on ‘Rock and Roll Hoochie Coo’ with Johnny joining in too. Edgar was superb on the album’s title cut. It sounded exactly like it did in every teenager’s car that had an eight track player inside,
If you’ll allow me to digress for a moment I’d like to make a comment about the concept of the perfect ‘album sound’ at a live concert. It was never important to me. In fact, I’m disappointed if the sound intended for vinyl, (or whatever the format), comes across too exact at a live show. I don’t want a stage play to sound or feel like a movie, I don’t want a sporting event to appear as it does on television and, I learned this watching the Boyzz, I want the sound at a live music show to be different than the studio cuts. Rougher, slower (or faster for that matter), anything really to tweak it a bit. If all I wanted was the ‘recorded sound’ I wouldn’t bother to buy a ticket.
At least one of the Winter Brothers is still at it. I saw Edgar with Ringo Star’s All Star Band a couple of years ago. Frankenstein still sounded perfect. I’m not sure exactly to what extent but health problems have taken a heavy toll on Johnny for most of the last decade or so. Despite that, over the length of a long career he sure has provided a lot of good times.
Blue Oyster Cult was big that summer. Commercially, they were at their peak, not only in popularity but record sales too. To keep them off headliner status you had to be a top tier act, no pun intended, yourself. The Cult was in the middle of touring what would prove to be the biggest commercial album in their history, ‘Agents of Fortune.’ Besides their classic ‘Godzilla’ the albums single, ‘Don’t Fear the Reaper’ is easily the most recognizable song of their still active career.
But that summer no matter which group you came to see or if you just came for a day long party everyone stayed to the end to see ZZ.
I don’t remember the exact time it all started but the skies turned pitch black the second they doused the stadium lights. There, sitting on a mountain top high above the Texas shaped stage was the silhouette of a wolf. As lightening crackled across the painted desert backdrop the lone wolf lifted its head towards the full moon and howled. The Boyzz, dressed like the front cover of ‘Fandango’, appeared out of nowhere, center stage, under a blanket of white light, so bright it lit up virtually all of the outfield grass in front of them. We were about two hundred feet from the stage when the whole thing touched off.
I stayed with my friends throughout ‘Thunderbird’, ‘Chevrolet’, and most of the third number, ‘Precious and Grace’. I asked a couple of the guys in my group if they wanted to try and get closer to the front. They didn’t respond. I could tell they were happy where they were at. Their loss. I was the one who’d driven. Nobody could leave without me. I told them not to worry; I’d be back. If I didn’t make it before the encore finished I’d meet everyone at my dad’s car.
The exhilaration I felt the moment I took my first step forward told me I’d made the right choice. I never regretted leaving my friends behind. I grabbed my blanket and “World Wide Texas Tour” tank top and started weaving my way through the crowd. No, I don’t still have the shirt. I did though for the next decade or so before my loving wife at the time decided to donate it during a Goodwill clothing drive that fleeced at least half the husband’s closets in the neighborhood.
As I got closer the sound wasn’t as clear but the feel was better. The intensity of the performance is something I’ve never forgotten. With each step I took the thump of Dusty’s bass smacked me hard in the chest. The tone from Billy’s guitar was considerably more muffled than it’d been only a hundred feet or so behind me. But the big, chunky chords he seems to always hit with perfect timing had a feel that wasn’t nearly the same as it was back out by second base.
I’ve been reading articles online lately suggesting that maybe the stories about the live animals ZZ took on tour with them were nothing more than fabrications promoted by the band members and the gullible rock journalists and fans of the time. That’s not how I remember it.
On one side of the stage I could make out the silhouette of a long horn steer standing high above us on a raised platform. On the other side, inside the same type of contraption, was a large buffalo. Both of them moved. I saw them move. I’ve never questioned if they were real or not. I didn’t get close enough to see the rattlesnakes inside the Plexiglas box at the foot of the stage but I’ve read reports by other people who attended the tour that swear they were there.
Why isn’t there any photographic evidence that survives from the time to support their existence? First of all the band’s manager was a control freak. The band’s live shows were always a guarded secret when Mr. Ham was in charge. No doubt photo journalist passes were a tough thing to obtain not to mention full of restrictions in their usage. Heck just getting news about the band, particularly at that time, was always slow in coming.
Of course everyone didn’t have cell phones with digital cameras attached to them either. As a rule the general public didn’t carry professional quality cameras around with them. Instamatics with the rotating cube flash on the top was about as state of the art as it got for most of us.
By “Rattlesnake Shake” I was as close as I was going to get. I was on Billy’s side probably thirty feet away and hemmed in like the cuff on a pair of dress pants. I was just south of the ‘sardine section.’ When the Boyzz busted into ‘La Grange’ the stadium’s scoreboard flashed the song title in three story high letters.
The show ended with an encore of ‘Mexican Blackbird’ (“she’ll spread like an eagle for you!”), El Diablo, (a very underrated song when it’s done live), and, ‘Tush.’ Just like during La Grange the stadium scoreboard flashed the word ‘Tush’ in letters larger than life.
The show’s ending turned into a blur for me. The Boyzz, just as they do now, quickly left the stage. The lights inside the stadium came on illuminating all of the day’s sins. Beer cups, soda cups, clothing, hot dog wrappers and trash of all kinds, both known and unknown, was strewn everywhere across the Angel’s previously perfect baseball diamond. In the harsh artificial light everything that was left, including the rock and roll faithful themselves, looked tired and a bit worse for wear.
When I got to the top of the stairs leading out from the field I spotted my friends pushing their way across the packed concourse. How I was able to notice them inside that rolling tide of people I’ll never know. When I finally caught up with them I was so excited I could barely contain myself.
“Wasn’t Billy great?” I kept on asking everyone around me, not just my buddies. “Don’t they make a fucking unbelievable amount of sound for only three guys!!??”
Despite the exhaustion from the 12+ hour day there was a smile on everybody’s face and a shitload of electricity still filling the air. Yelling, screaming, fist pumping was everywhere. For a few magic moments on a very special day at the end of my teenage years, all was perfect in my world. My friends as well as everyone else who was there learned a simple fact that day if they didn’t already know it before. That fact being that wherever and whenever that “Little ‘ol Band from Texas” straps on the guitars and sets up the drums they’ll forever be a force to be reckoned with. Have Mercy!
Sunday, December 19, 2010
Memories of Tejas...
Today I am bringing you a very special first hand account of seeing the Top on their infamous "World Wide Texas Tour" in 1976. Composed by my good friend Chris, his amazing recollection serves as an excellent testimonial to the excitment, energy and enigma of 1970's ZZ.
-----
Part I
As soon as I got out of bed that Saturday morning and started moving around I could already feel the oncoming heat of the day through the curtains of my bedroom window. I knew there wouldn’t be any reprieve from it until later that afternoon. Summer in Southern California is like that. The air outside won’t move an inch for practically the entire day. Then, just when you think you can’t stand it anymore, the end of the afternoon rolls around and a breeze comes in off the ocean. To be truthful, at that moment I wasn’t concerned with any of that. Right then all I cared about was seeing my favorite rock and roll band sometime later that day. I didn’t know when exactly, but that didn’t matter. The happy realization that the day had finally come was good enough for me. After toast and cereal and a quick shower I put on some tennis shoes, a pair of cut off jeans and a clean t shirt. I was ready
-----
Part I
World Wide Texas Tour Summer 1976
As soon as I got out of bed that Saturday morning and started moving around I could already feel the oncoming heat of the day through the curtains of my bedroom window. I knew there wouldn’t be any reprieve from it until later that afternoon. Summer in Southern California is like that. The air outside won’t move an inch for practically the entire day. Then, just when you think you can’t stand it anymore, the end of the afternoon rolls around and a breeze comes in off the ocean. To be truthful, at that moment I wasn’t concerned with any of that. Right then all I cared about was seeing my favorite rock and roll band sometime later that day. I didn’t know when exactly, but that didn’t matter. The happy realization that the day had finally come was good enough for me. After toast and cereal and a quick shower I put on some tennis shoes, a pair of cut off jeans and a clean t shirt. I was ready
Including me there was six of us heading out on a midsummer pilgrimage to what was being billed across the airwaves and the local print media as a ”Rompin’ Stompin’ Texas sized Barbeque” at Anaheim Stadium featuring ‘That Little ‘ol Band from Texas,’ ZZ Top.
We’d all gone to high school together, each of us having graduated within the past two years. All of us had grown up and still lived in Crestline, a very small California town tucked away in the lower belly of the San Bernardino Mountains.
Our eagerly anticipated journey started out with everyone squeezed together shoulder to shoulder across both the front and rear bench seats of my father’s 1972 Pontiac Tempest. Boy, that car could really move with just the slightest encouragement from an adolescent right foot.
We drove west on Highway 18 zig zagging down the mountain all the way from upper Crestline, elevation 5,000 feet, or what the locals like to call, ‘the top of the hill’ to the base of the mountain and the north end of San Bernardino. Fifteen miles after you start the traffic signal at the foot of the mountain changes everything and Highway 18 turns into Waterman Avenue. I remember the 215 freeway that runs through the center of San Bernardino being mostly deserted that morning.
After connecting with the 91 near Riverside we ended up in Anaheim, practically as far west as you can go without making it to a beach city. At that time Anaheim was home to the California Angels and Disneyland. Kind of a sweet place actually. Still is. The entire trip, including a pit stop for gas and cigarettes, took us no more than an hour and forty five minutes.
We got off at the Katella exit. A gigantic white colored ‘A’ with a halo wrapped around its top greeted us from across the street. Looming in the distance through the early morning Southern California haze I could see Disneyland’s white capped Matterhorn Mountain. It reminded me how excited I always felt anytime I was anywhere near this area. Disneyland and baseball, I’d experienced both with my father way too many times to count. What more could a southern California kid ask for growing up? From the moment the day started I had a real good feeling ZZ would keep up the fine tradition of good times for me in this neck of the woods.
So far getting to where we wanted to go had been easy. That changed as soon as we drove through the parking lot gates. We were approached by a squadron of security guards directing us to the farthest outskirts of the circular lot. Some were regular security but most were off duty cops getting an extra buck. I gave them no grief. I was too happy to give a shit. After parking the Tempest almost a cab ride away we got out and started to make our way towards the entrance.
We could see when we got about a third of the way there that our group as well as everyone else coming in from the other sections of the parking lot were being funneled by security into what would turn out to be an almost endless ribbon of humanity. We were herded, about ten people wide, between lengths of rope that seemed to run forever through a series of rubber tire pylons. This procedure pushed the lengthening mass of teen age flesh into one long stream that quickly pushed itself almost all the way around the gigantic parking lot. From any vantage point above the stadium it all must’ve appeared incredibly strange.
We stayed like that for almost an hour. But after standing there for five or ten minutes not having any idea what was going on everyone, our group included, spread out as much as we could while still keeping ourselves between the ropes. Those of us who had them sat down on folded up blankets and towels. Those who didn’t either remained standing or sat down cross legged on the parking lot’s asphalt surface.
It was only a little past nine o’clock in the morning. The breeze from the nearby beaches was still holding its’ own in the battle against the oncoming midday heat. We broke into some of our provisions. A big bag of Doritos was passed around as well as a huge bottle of coca cola that wasn’t much above room temperature but still tasted great.
Then, without warning, everyone around us started to stand up. Maybe it came from some unknown signal somewhere or maybe it was just a feeling everyone got at the same time. Whatever it was I could feel the excitement growing in the pit of my stomach. My friends and I followed suit stretching our leg muscles as we brushed chips and salt off the front of our shirts and the tops of our blankets. By the time we had everything folded up and put away we were already caught up in the middle of a mass migration forward.
Security asked us to bunch into tighter groups. They were doing their best to maintain some kind of order as they began the slow process of moving thousands of people forward to one destination. There were no arguments or fights in my area. It seemed as if everyone around me felt the same way I did. Let’s get inside and get the party started!
It was slow and it wasn’t easy. We were pushed along like cattle. We moved in sections maybe thirty feet at a time before stopping. Each time we stopped we stayed like that for a minute or two before beginning the entire process all over again. Each time we moved forward there was always someone who felt obligated to let out a loud “mooo.”
When we made it to the gate and finally got inside there was no checking of bags or purses; no pat down or metal detectors. The coolness of the covered concrete concourse brought my breath back and any tiredness I was feeling from lack of sleep or time in the sun was washed away by the anticipation of the upcoming event. I couldn’t wait.
The problem was I had to. We all had to. It was 10:00 am and the first scheduled performer, Point Blank, wasn’t due to take the stage until 3:00 that afternoon.
A lot of people stopped right there. They never made it any further. They walked down the aisles behind home plate as if they were there to attend an Angels/Tigers game. They found a shady overhang from the reserved section above and plopped themselves down on top of a comfortable wooden seat content to be what seemed to me a million miles away from the huge stage area that was set up against the outfield wall.
That wasn’t what my group had in mind. As long as the powers that be let us we were going to keep going forward as far as we could until somebody stopped us. At the bottom of each aisle, leading onto the field, a metal gate was being held open by an usher in a blue suit and a straw hat who couldn’t have looked more out of place if they’d attend the proceedings naked.
In short centerfield out on the other side of second base and directly in front of the stage we spread out our blankets. It was as close as we could get if we wanted to sit some and not have to stand the entire time.
I remember thinking that there sure was a long way to go before we made it to three o’clock. Looking back now I know there must’ve been moments when I got impatient waiting for everything to start. I think I have a tough time remembering any of that now because it ended up being such a great day. Tired? Yes, I remember getting tired. But it wasn’t anything that couldn’t be cured by simply stretching out for a quick siesta on one of the blankets that made up our home base. Our proximity to the ocean helped keep the temperatures down.
What did we do with our time? Besides the occasional herbal break we did what people use to do before everyone had cell phones or net books and laptops. We talked and joked. We people watched. We made fun of each other and the people around us. We made new friends. We smoked a lot of cigarettes to help pass the time. I think that was the day I became a pack a day smoker. It would be another seven years before I was able to break that nasty habit.
Though since then I’ve acquired quite a fondness for most malted beverages at that time the only alcohol I consumed was cheap wine. Tyrolia, Spinatta, or T J Swan---both vintages, Easy Days and Mellow Nights. All of them were best consumed without a glass but none were quite as rot gut as the stuff immortalized during the first song on ZZ’s set list during much of that tour, ‘Thunderbird.’
In my group I was the only one with a taste for the grape. The rest of the guys were beer drinkers or ‘smokers.’ None of us were of drinking age yet so besides the few beers a couple of the guys were able to sneak inside we were pretty much stuck that day with soda or water as our beverage of choice.
I think it was right before Point Blank got everything started that a girl sitting next to us offered me a drink from her jug of water. I accepted and took a swig big enough that I was almost embarrassed by it. All she did was smile. She was by herself and probably at least seven or eight years older than me. Because of an extremely large stash of paraphernalia she’d haphazardly hidden under a corner of her blanket and the very short pair of jean shorts she had on she had a steady stream of one hit visitors around her area throughout much of the afternoon. I don’t remember exactly when but at some point I turned around and she was gone. She’d wandered off, taking her paraphernalia and jug of water with her of course, never to be seen around our side of second base again.
In Southern California during that time and for quite a few years after there was a used car salesman by the name of Cal Worthington who with his ten gallon hat and outlandish stunts ruled the television airwaves. He was tall and thin and wore a black string tie along with an assortment of linen and brushed denim suits. His outlandish financing offers and over the top stunts, such as riding elephants and long legged ostriches between rows and rows of used cars, made him the equivalent of a cartoon character come to life.
Somehow, someone had come up with the brilliant idea that good old Cal should MC the affair. Maybe it was his oversized hat. It might have been the hat mixed in with the cornpone shtick that he was all about. Whatever it was after five hours of sitting, standing, and sweating in the hot summer sun the crowd was in no mood to hear somebody who was in most cases older than our parents try and be cute and funny.
The festivities needed to start. We were tired of canned music. We were tired of talking and not doing anything besides smoking and eating and drinking. Our little stadium gathering needed a kick start in the butt. I doubt Cal even knew who ZZ top was. I’m sure he had no interest in any of it beyond the fact that we were a captive audience of thousands. To him we were nothing more than a huge pool of potential car buyers.
The boos rained down hard from all corners of the stadium as soon as Cal tried to set one cowboy boot down on the stage. He was attempting to introduce ZZ Top manager Bill Ham’s newest rock and roll act Point Blank. We were relentless. He tried to yell over us. That didn’t work. Red faced, Cal took his hat off and waved it angrily in our direction. That not only didn’t work it made everything worse. Water and various other beverages were tossed up on stage. There were peanuts and half eaten hot dogs as well. It wasn’t a pretty site. Cal’s microphone was turned off. I can still see him being led off the stage by security, heels dragging in front of him while his silenced mouth was filled with one censored expletive after another.
Someone came on the PA system and ignoring what had just happened asked us in an excited voice if we were ready to rock. This brought a cheer from the sun drenched masses. After a quick pickup of debris from the stage it was time to get down to business. We didn’t see or hear from Cal the rest of the day.
-----
Part II in a few days....
Monday, December 13, 2010
Go...Daddy...Go; Special Batch 44 Hard
Okay, so apparently the company Go Daddy throws one hell of a party.
Saturday night, December 11th, Scottsdale, Arizona. Folk / Pop singer and songwriter Jewel, George Thorogood and the Destroyers, and that Little Ol' Band from Texas put on a private concert for more than 5,000 employees, family and friends of internet domain facilitator Go Daddy. Home of the Arizona Diamondbacks, "Chase Field" was transformed into an amusement park, complete with a farris wheel, raffles, bumper cars and a merry-go-round, as well as the aforementioned musical entertainment.
I had no idea that ZZ would be performing at this party. Apparently few did. Many acts are known to perform private gigs - even Madonna can be arranged to present to a personal event, for a cool million. I could do without Jewel, but George Thorogood would have been sweet to see in "support" of ZZ.
Anyway, check out the videos on YouTube. Looks like the Boyzz played a full set, doesn't seem like any new songs though. I haven't found a set list for Odessa either, anybody know what they played?
-----
Anyone seen the new "Special Batch 44 Hard" t-shirt on the band's merchandise web site. Any ideas what this is referring too? Couldn't have something to do with a new record could it? Nah..
Saturday night, December 11th, Scottsdale, Arizona. Folk / Pop singer and songwriter Jewel, George Thorogood and the Destroyers, and that Little Ol' Band from Texas put on a private concert for more than 5,000 employees, family and friends of internet domain facilitator Go Daddy. Home of the Arizona Diamondbacks, "Chase Field" was transformed into an amusement park, complete with a farris wheel, raffles, bumper cars and a merry-go-round, as well as the aforementioned musical entertainment.
I had no idea that ZZ would be performing at this party. Apparently few did. Many acts are known to perform private gigs - even Madonna can be arranged to present to a personal event, for a cool million. I could do without Jewel, but George Thorogood would have been sweet to see in "support" of ZZ.
Anyway, check out the videos on YouTube. Looks like the Boyzz played a full set, doesn't seem like any new songs though. I haven't found a set list for Odessa either, anybody know what they played?
-----
Anyone seen the new "Special Batch 44 Hard" t-shirt on the band's merchandise web site. Any ideas what this is referring too? Couldn't have something to do with a new record could it? Nah..
Friday, December 3, 2010
There comes a time...but not yet
So I was reading an article in today's Wall Street Journal (hey, some of the articles can be interesting!) and a major feature was the debate on rock stars rapidly approaching retirement age. The article focused mainly on Mr. Bob Dylan, an amazing writer and musician who has shared his talents for almost 50 years now. Dylan, along with the likes of The Rolling Stones, Little Richard and Jerry Lee Lewis are all continuing to perform, but should they? Mr. Tamborine man himself is 69.
So what about ZZ Top? All of them are very close in age, each will be turning 62 years old in 2011. Should they call it a day and retire? I'm gonna go out on a limb here and say no, not yet.
There are some indicators however that have to be monitored. I would deem these to be energy, enthusiasm, ability and creativity. The energy to still play, the enthusiasm to still want to play, the physical ability to still play well, and the creativity to make new music (not just rehash the old stuff over and over). Out of these four factors, ZZ currently meets three. The physical ability is still there, all three members remain masters of their respective instruments and appear quite spry. The energy is there, with the possible exception of Frank, but I would argue he has appeared to be on the verge of falling asleep onstage since 1999 and keeps on going. Same for enthusiasm, Frank keeps on hitting the skins with his long time friends so he must still have a drive for being in a rock 'n roll band. It's the creativity that's a tough call. Do they still have the ambition, desire and need to create new music? Or do they wish to remain a caricature of themselves, which, having not released a new record since 2003, they are rapidly becoming. This most crucial element is likely to be answered very soon, with 2011 being a do or die year in terms of remaining relevant in today's music scene. I truly hope the band comes out with something great in the upcoming year, but let's face it, even an underwhelming effort similar to something like "El Loco" would be great to hear. And the band must absolutely support any new album that is released by playing some new songs live. I've said it before, AC/DC did it, therefore so can ZZ Top.
Here's hoping and looking forward to a still relevant, active, creative and enthusiastic ZZ Top in 2011!
So what about ZZ Top? All of them are very close in age, each will be turning 62 years old in 2011. Should they call it a day and retire? I'm gonna go out on a limb here and say no, not yet.
There are some indicators however that have to be monitored. I would deem these to be energy, enthusiasm, ability and creativity. The energy to still play, the enthusiasm to still want to play, the physical ability to still play well, and the creativity to make new music (not just rehash the old stuff over and over). Out of these four factors, ZZ currently meets three. The physical ability is still there, all three members remain masters of their respective instruments and appear quite spry. The energy is there, with the possible exception of Frank, but I would argue he has appeared to be on the verge of falling asleep onstage since 1999 and keeps on going. Same for enthusiasm, Frank keeps on hitting the skins with his long time friends so he must still have a drive for being in a rock 'n roll band. It's the creativity that's a tough call. Do they still have the ambition, desire and need to create new music? Or do they wish to remain a caricature of themselves, which, having not released a new record since 2003, they are rapidly becoming. This most crucial element is likely to be answered very soon, with 2011 being a do or die year in terms of remaining relevant in today's music scene. I truly hope the band comes out with something great in the upcoming year, but let's face it, even an underwhelming effort similar to something like "El Loco" would be great to hear. And the band must absolutely support any new album that is released by playing some new songs live. I've said it before, AC/DC did it, therefore so can ZZ Top.
Here's hoping and looking forward to a still relevant, active, creative and enthusiastic ZZ Top in 2011!
Monday, November 29, 2010
Australia 2011 / Australia 2000
ZZ Top apparently starting things off next year in Australia. First time they have been there since 2000 to my knowledge. Apparently they played some rarities on that past tour - "36-22-36", "Teddy Bear" and "Poke Chop Sandwich". No recordings exist however that I know of. Sure would be sweet if they play some rarities and/or new songs this go around.
Here is the link to the article:
http://www.heraldsun.com.au/entertainment/zz-tops-five-date-australian-tour-coincides-with-byron-bay-blues-festival/story-e6frf96f-1225962852129
Check out the caption on the picture.....wait, which ones Dusty? I thought the one named Beard didn't have a beard?
Here is the link to the article:
http://www.heraldsun.com.au/entertainment/zz-tops-five-date-australian-tour-coincides-with-byron-bay-blues-festival/story-e6frf96f-1225962852129
Check out the caption on the picture.....wait, which ones Dusty? I thought the one named Beard didn't have a beard?
Monday, November 22, 2010
ZZ recording in west Texas?
Okay, I admit it that headline was a stretch, but it got your attention didn't it. Things seem to be pretty quiet, or my usual sources aren't talking, one of the two. I haven't heard of any other official concerts in December outside of the Odessa, TX show. It does seem unusual for them to do one isolated concert. The only thing I can think of, and this is the big stretch, is that perhaps they are recording nearby. Remember when Rick Rubin apparently tweeted that they were looking for a roadhouse type location in west Texas to lay down some new tracks but were having trouble finding one that wasn't a tourist trap. Perhaps they found a good spot afterall, as Odessa is indeed in far west Texas. Sure would be awesome to find out (or hear!) some new songs at this mystery show. Time will tell.
No update as far as I know on the 2011 Houston Rodeo show yet either. If anybody finds out anything please post it here. Thanks!
No update as far as I know on the 2011 Houston Rodeo show yet either. If anybody finds out anything please post it here. Thanks!
Thursday, November 11, 2010
New Concert Date Announced
Appears the group will be doing a show in Odessa, TX on 12/09/10. Read the article here:
http://www.oaoa.com/articles/top-55646-concert-promises.html
Billy promises the show will be full of "surprises", with songs from their early years and tunes pre-dating the birth of the group's members. Whether this means more of the same i.e. Future Blues and Brown Sugar, or new covers and long forgotten tracks ("Neighbor, Neighbor" anyone?) remains to be seen.
Also sounds like a great opportunity to preview a few rough cuts from the new album. But I'm likely dreaming.
Please comment if you plan on attending this show. And also please advise if you know anyone that may be taping this show.
28 days to go...
http://www.oaoa.com/articles/top-55646-concert-promises.html
Billy promises the show will be full of "surprises", with songs from their early years and tunes pre-dating the birth of the group's members. Whether this means more of the same i.e. Future Blues and Brown Sugar, or new covers and long forgotten tracks ("Neighbor, Neighbor" anyone?) remains to be seen.
Also sounds like a great opportunity to preview a few rough cuts from the new album. But I'm likely dreaming.
Please comment if you plan on attending this show. And also please advise if you know anyone that may be taping this show.
28 days to go...
Tumbleweeds / 2011 Rodeo / Thank you
So far things have been quiet. It's early though. Hopefully the band is relaxing with family - Billy doing the same while thinking about song titles!
A recordings of ZZ's final show of the 2010 World Tour in Moscow surfaced. Despite having played the songs upwards of 80 times the group still sounded energetic. As the tour progressed Billy jammed (solo) more and more between songs. As a result the introductions to "I Need You Tonight" and "Brown Sugar" grew pretty long. Several people have indicated that ZZ had indeed played Russia before, so let it be known, like thousands of times before and surely to follow, I was wrong - St. Petersburg and Moscow 2010 were not the first shows in Russia.
Anybody follow Rick Rubin on Twitter? I personally cannot stand the whole "tweet" thing but it does seem to be an occasional good source of intermittent info regarding the band. Any news from Mr. Rubin?
I have been checking the 2011 Houston Livestock and Rodeo website to look for any ZZ announcements. Having more or less established a pattern of playing the Rodeo every two years they are due to appear next year. I will definitively be attending if they play it, one cannot be sure how many more years the group will be playing live. It has been suggested that if ZZ ever played a "final" gig it would likely be in Houston, perhaps at the Rodeo, but I don't anticipate this to be the circumstances in 2011. Money is too tight for me to fly, looks like a 22 hour road trip is in my future. Hopefully they will be on the docket, if anybody hears any news please post in the comments section.
Thank you to those that have posted recently in the comments section, in my opinion it really adds to the appeal and importance of this blog as a means of communication between ZZ Top fans. I truly hope everyone enjoys reading this page as well, regardless of whether or not you choose to comment.
A recordings of ZZ's final show of the 2010 World Tour in Moscow surfaced. Despite having played the songs upwards of 80 times the group still sounded energetic. As the tour progressed Billy jammed (solo) more and more between songs. As a result the introductions to "I Need You Tonight" and "Brown Sugar" grew pretty long. Several people have indicated that ZZ had indeed played Russia before, so let it be known, like thousands of times before and surely to follow, I was wrong - St. Petersburg and Moscow 2010 were not the first shows in Russia.
Anybody follow Rick Rubin on Twitter? I personally cannot stand the whole "tweet" thing but it does seem to be an occasional good source of intermittent info regarding the band. Any news from Mr. Rubin?
I have been checking the 2011 Houston Livestock and Rodeo website to look for any ZZ announcements. Having more or less established a pattern of playing the Rodeo every two years they are due to appear next year. I will definitively be attending if they play it, one cannot be sure how many more years the group will be playing live. It has been suggested that if ZZ ever played a "final" gig it would likely be in Houston, perhaps at the Rodeo, but I don't anticipate this to be the circumstances in 2011. Money is too tight for me to fly, looks like a 22 hour road trip is in my future. Hopefully they will be on the docket, if anybody hears any news please post in the comments section.
Thank you to those that have posted recently in the comments section, in my opinion it really adds to the appeal and importance of this blog as a means of communication between ZZ Top fans. I truly hope everyone enjoys reading this page as well, regardless of whether or not you choose to comment.
Monday, November 1, 2010
2011 - Amateur Predictions of the Future
Friday, 10/29/2010. Moscow. The screams of Dusty and the finale of Frank's drums thunder one last time as "Tush" draws to a close. The 2010 World Tour, by every interpretation and definition, will go down as one of the group's most extensive and expansive tours ever. Featuring two long stints in America intermixed with two jaunts to Europe, including the first ever shows in Russia, the trip was a long and, I've got to assume, somewhat exhausting one.
Time for some rest.
Sometime in December, 2010. Mr Rubin places a call. "Billy" Rick says. "Yeah" Billy replies. "Let's lay 'em on down". "Sounds good, when?" questions the Reverend. "After Christmas, second week of January". "You got it" is the upbeat, and this time, determined answer.
January, 2011. Los Angeles. Billy enters the studio w/ Rubin, laying out rough ideas comprised over the past seven years. Ideas for a theme and record title are debated and discussed.
February, 2011. Houston. Billy heads back to his hometown and meets up with his bandmates. Dusty and Frank lay down rough takes on bass and drums and throw their creative feedback into the mix.
March, 2011. Los Angeles. Billy calls on Hardy and Moon to apply polish, structure, timing, and sequence to the tracks. Out of 25 possible tunes Billy narrows it down to 15. ZZ also plays the Houston Rodeo to a full house, but no new tracks are debuted. "Just Got Back From Baby's", "Rattlesnake Shake", "Breakaway" and Williams' "All My Ex's Live In Texas" are rarities of note.
April, 2011. Converted warehouse in Central Texas. ZZ Top, with Rubin at the control deck, records live the 15 songs which will comprise the groups next effort, to be released late Summer 2011.
May, 2011. Los Angeles. Final mixing under the care of Rubin and Gibbons. Album, as yet untitled, is announced to the public.
June, 2011. Los Angeles. Final mastering.
August 30, 2011. ZZ Top's 15th album is released to positive critical and public reception.
Late September, 2011. Beginning of 30 date tour in America, ends mid October in Houston, TX.
Late October, 2011. Beginning of 20 date tour in Europe, finishing at Wembley, London.
December, 2011. Announces World Tour beginning April, 2012.
Hey, it could happen. You never know.
Time for some rest.
Sometime in December, 2010. Mr Rubin places a call. "Billy" Rick says. "Yeah" Billy replies. "Let's lay 'em on down". "Sounds good, when?" questions the Reverend. "After Christmas, second week of January". "You got it" is the upbeat, and this time, determined answer.
January, 2011. Los Angeles. Billy enters the studio w/ Rubin, laying out rough ideas comprised over the past seven years. Ideas for a theme and record title are debated and discussed.
February, 2011. Houston. Billy heads back to his hometown and meets up with his bandmates. Dusty and Frank lay down rough takes on bass and drums and throw their creative feedback into the mix.
March, 2011. Los Angeles. Billy calls on Hardy and Moon to apply polish, structure, timing, and sequence to the tracks. Out of 25 possible tunes Billy narrows it down to 15. ZZ also plays the Houston Rodeo to a full house, but no new tracks are debuted. "Just Got Back From Baby's", "Rattlesnake Shake", "Breakaway" and Williams' "All My Ex's Live In Texas" are rarities of note.
April, 2011. Converted warehouse in Central Texas. ZZ Top, with Rubin at the control deck, records live the 15 songs which will comprise the groups next effort, to be released late Summer 2011.
May, 2011. Los Angeles. Final mixing under the care of Rubin and Gibbons. Album, as yet untitled, is announced to the public.
June, 2011. Los Angeles. Final mastering.
August 30, 2011. ZZ Top's 15th album is released to positive critical and public reception.
Late September, 2011. Beginning of 30 date tour in America, ends mid October in Houston, TX.
Late October, 2011. Beginning of 20 date tour in Europe, finishing at Wembley, London.
December, 2011. Announces World Tour beginning April, 2012.
Hey, it could happen. You never know.
Tuesday, October 26, 2010
Most Wanted Shows / Recordings
The following are my top most wanted shows. I will trade 10 shows from my collection in exchange for one off of the list. I am obviously always open to trading for any concerts, but this list comprises the most sought after recordings.
01) ??/??/1974 Boston, MA (free show)
02) ??/??/1980 Honolulu, HI
03) 06/30/1983 San Francisco, CA
04) 02/10/1984 Ames, IA
05) 03/21/1987 Honolulu, HI
06) 12/22/1994 London, England
07) --/--/2000 Australia (any show)
08) 01/18/2001 White House, Washington DC, USA
09) 03/18/2007 Houston, TX (Rodeo show)
10) 03/16/2009 Ft. Worth, TX (Billy Bob's show)
11) 05/15/2009 Portsmouth, VA
12) 04/25/2010 Austin, TX
01) ??/??/1974 Boston, MA (free show)
02) ??/??/1980 Honolulu, HI
03) 06/30/1983 San Francisco, CA
04) 02/10/1984 Ames, IA
05) 03/21/1987 Honolulu, HI
06) 12/22/1994 London, England
07) --/--/2000 Australia (any show)
08) 01/18/2001 White House, Washington DC, USA
09) 03/18/2007 Houston, TX (Rodeo show)
10) 03/16/2009 Ft. Worth, TX (Billy Bob's show)
11) 05/15/2009 Portsmouth, VA
12) 04/25/2010 Austin, TX
Wednesday, October 20, 2010
2010 Year In Review
Okay, so maybe the year isn't over just yet. But seeing as how the ZZ Top 2010 World Tour will be coming to an end in the next week or so, and the months of November and December are notoriously quiet, it's as good a time as any to look back at the past handful of months.
Showing once again that they won't stop until the wheels fall off, ZZ began announcing tour dates in February and March. A skeleton set of gigs was slowly filled in as Spring commenced, and a very heavy itinerary was finalized. These guys must really like playing together, this being the fourth year in a row consisting of intense touring.
*Disclaimer* - I can not stress this enough, the following is merely my opinion. I don't claim to be any type of expert, and I don't know Billy, Dusty or Frank (but it would be cool if I did). I hope that people enjoy reading this blog, but those that do seem to comment very little. If you agree, or blantently disagree, than comment. Call me an idiot and tell me what you think. I'm just here to talk about that Little Ol' Band from Texas.
Some positive trends in 2010:
- "Thunderbird", "Francine", "Beer Drinkers and Hell Raisers", and "Viva Las Vegas" were brought back to the set
- "Rock Me Baby", a new cover song, was added to the live repretriore.
- Dusty's voice appears as strong as ever, with one exception, to be mentioned shortly.
- ZZ visited a number of new countries and cities, including big shows coming up in St. Petersberg and Moscow.
- The groups spirits have been high, with Frank in particular, never one to show emotion, smiling more than in the past and even coming to the front of the stage to take a bow at the end of shows
Negative trends in 2010:
- All the aforementioned and welcomed songs listed above were quickly dropped from the set list. Without a doubt the most frustrating aspect for a seasoned ZZ Top fan. I'm gonna come out and say it, I hate "Cheap Sunglasses". There, I feel better.
- "Rock Me Baby" is a cover song. "Hey Joe" is a cover song. "Future Blues" is a cover song. That's great and all, but if I have a limited amount of songs to hear at a ZZ Top concert, than I want them all to be ZZ Top songs. Dig. How about "Movin' On Down the Line"?
- "I Need You Tonight" has been played as the blues track for three years running. Quickly getting stale. Time to bring back some "Fool For Your Stockings" or "Just Got Back From Baby's".
- I am 85% positive Dusty is lip-syncing "Party On the Patio". This is an awesome song, simply awesome. And I love how they brought it back late last year. But if you don't like the way your vocals as sung today sound, don't patronize me. Play something else.
- Too much touring. Take a year off. Recharge, regroup, record some new songs, and relax.
I sincerely hope some of the negative trends go away, but if not I still love this band. I love seeing their shows and I love listening to their records. Don't plan on changing either.
Next post: Hopes and possibilities for 2011
Showing once again that they won't stop until the wheels fall off, ZZ began announcing tour dates in February and March. A skeleton set of gigs was slowly filled in as Spring commenced, and a very heavy itinerary was finalized. These guys must really like playing together, this being the fourth year in a row consisting of intense touring.
*Disclaimer* - I can not stress this enough, the following is merely my opinion. I don't claim to be any type of expert, and I don't know Billy, Dusty or Frank (but it would be cool if I did). I hope that people enjoy reading this blog, but those that do seem to comment very little. If you agree, or blantently disagree, than comment. Call me an idiot and tell me what you think. I'm just here to talk about that Little Ol' Band from Texas.
Some positive trends in 2010:
- "Thunderbird", "Francine", "Beer Drinkers and Hell Raisers", and "Viva Las Vegas" were brought back to the set
- "Rock Me Baby", a new cover song, was added to the live repretriore.
- Dusty's voice appears as strong as ever, with one exception, to be mentioned shortly.
- ZZ visited a number of new countries and cities, including big shows coming up in St. Petersberg and Moscow.
- The groups spirits have been high, with Frank in particular, never one to show emotion, smiling more than in the past and even coming to the front of the stage to take a bow at the end of shows
Negative trends in 2010:
- All the aforementioned and welcomed songs listed above were quickly dropped from the set list. Without a doubt the most frustrating aspect for a seasoned ZZ Top fan. I'm gonna come out and say it, I hate "Cheap Sunglasses". There, I feel better.
- "Rock Me Baby" is a cover song. "Hey Joe" is a cover song. "Future Blues" is a cover song. That's great and all, but if I have a limited amount of songs to hear at a ZZ Top concert, than I want them all to be ZZ Top songs. Dig. How about "Movin' On Down the Line"?
- "I Need You Tonight" has been played as the blues track for three years running. Quickly getting stale. Time to bring back some "Fool For Your Stockings" or "Just Got Back From Baby's".
- I am 85% positive Dusty is lip-syncing "Party On the Patio". This is an awesome song, simply awesome. And I love how they brought it back late last year. But if you don't like the way your vocals as sung today sound, don't patronize me. Play something else.
- Too much touring. Take a year off. Recharge, regroup, record some new songs, and relax.
I sincerely hope some of the negative trends go away, but if not I still love this band. I love seeing their shows and I love listening to their records. Don't plan on changing either.
Next post: Hopes and possibilities for 2011
Sunday, October 17, 2010
Fall European Tour - Set List
Set list for the first three shows in the European fall leg of the tour were the same as the end of the summer tour section. Slightly disappointing, but not surprising.
- Got Me Under Pressure
- Waitin' For The Bus
- Jesus Just Left Chicago
- Pincushion
- I'm Bad, I'm Nationwide
- Future Blue
- Rock Me Baby
- Cheap Sunglasses
- My Head's In Mississippi lead into I Need You Tonight
- Hey Joe
- Brown Sugar
- Party On The Patio
- Just Got Paid
- Gimme All Your Lovin'
- Sharp Dressed Man
- Legs
Encore:
- La Grange
- Tush
Saturday, October 9, 2010
Random Concert Thoughts - Richmond VA 09/14/2010
Sorry I never got around to posting a full review of the Richmond, VA show I attended. I will say it was very enjoyable and the band, especially Billy, seemed very loose and relaxed. Several times his words were slurred and he seemed to lose focus momentarily. Billy's not much of a drinker so I'm guessing he was under the influence of a greener substance.
After one song, I can't remember which, he commented on the green and even pulled out what had the obvious appearence of a joint. Whether it was filled with the good stuff or mere tobacco is unclear, but in the case of this band it's likely the former.
Virginia is a relatively conservative state, much more so than the Northeast or California. Despite the conservatisim, and a substantial tobacco industry, Virginia recently voted to outlaw smoking indoors. Exceptions are made only if the facility in question has a separate ventilation system that can isolate smokers from non-smokers. I make this point in regards to Frank's chain smoking throughout the show. One only needs to read the tabloids to see the many exceptions regarding the law that are made for movie stars and such. I for one have no problem with Frank smoking indoors, and no one else did either. He has paid his dues and if he wishes to enjoy his smokes more power to him. But I would not be suprised if one day a venue tells him no can do.
Billy appeared to be particularly enamored with the acoustics of the venue. Frank's bass drum had a strikingly strong effect, shaking the entire building. Billy would often let up on the guitar and begin pumping his fists to the beat in obvious jubilation. The crowd was thrilled.
Prior to the show I had dinner at a restaurant adjacent to the venue. I noticed the band's tour buses were parked on the street just outside the diner's west windows. Requesting a seat next to the window I figured at some point Billy or Dusty or Frank would appear. Sure enough, having just taken a bite of my chicken wrap I looked over and saw Billy not five feet away from me. Normally when that close I would have reached out to offer my praise and shake hands, but in this case the glass made such an exercise impossible. I do not believe he even would have heard me shout, and to have knocked on the glass in excitment with a huge dumb grin on my face would have no doubt been met with stares and laughter.
The set list was the same as the show I saw in Pennsylvania back in August. The Richmond show was also the last show before they joined up with Tom Petty and the Heartbreakers. Would have loved to have heard some "Beer Drinkers and Hell Raisers" or "Viva Las Vegas" but it was not to be.
I am very excited to see what the upcoming 11 date European tour brings. Hopefully we will be privy to some first hand accounts.
After one song, I can't remember which, he commented on the green and even pulled out what had the obvious appearence of a joint. Whether it was filled with the good stuff or mere tobacco is unclear, but in the case of this band it's likely the former.
Virginia is a relatively conservative state, much more so than the Northeast or California. Despite the conservatisim, and a substantial tobacco industry, Virginia recently voted to outlaw smoking indoors. Exceptions are made only if the facility in question has a separate ventilation system that can isolate smokers from non-smokers. I make this point in regards to Frank's chain smoking throughout the show. One only needs to read the tabloids to see the many exceptions regarding the law that are made for movie stars and such. I for one have no problem with Frank smoking indoors, and no one else did either. He has paid his dues and if he wishes to enjoy his smokes more power to him. But I would not be suprised if one day a venue tells him no can do.
Billy appeared to be particularly enamored with the acoustics of the venue. Frank's bass drum had a strikingly strong effect, shaking the entire building. Billy would often let up on the guitar and begin pumping his fists to the beat in obvious jubilation. The crowd was thrilled.
Prior to the show I had dinner at a restaurant adjacent to the venue. I noticed the band's tour buses were parked on the street just outside the diner's west windows. Requesting a seat next to the window I figured at some point Billy or Dusty or Frank would appear. Sure enough, having just taken a bite of my chicken wrap I looked over and saw Billy not five feet away from me. Normally when that close I would have reached out to offer my praise and shake hands, but in this case the glass made such an exercise impossible. I do not believe he even would have heard me shout, and to have knocked on the glass in excitment with a huge dumb grin on my face would have no doubt been met with stares and laughter.
The set list was the same as the show I saw in Pennsylvania back in August. The Richmond show was also the last show before they joined up with Tom Petty and the Heartbreakers. Would have loved to have heard some "Beer Drinkers and Hell Raisers" or "Viva Las Vegas" but it was not to be.
I am very excited to see what the upcoming 11 date European tour brings. Hopefully we will be privy to some first hand accounts.
Wednesday, September 29, 2010
Maybe...
I'm not afraid to point out I have been wrong thousands upon thousands of times, and in this instance I hope I am. It would appear that perhaps the band is working on structuring and recording some songs under the guidance of Rick Rubin after all.
Check out the "Totally Unofficial ZZ Top Tour Blog", which is a fantastic source of news, for a breakdown of some recent tweets from Mr. Rubin: http://zztopeurope2007.blogspot.com/
The band finished up their short stint with Tom Petty on 09/26 in Phoenix. There is an approx three week gap before they head off to Europe for a short tour. It's interesting in that the band appears to be visiting majory metropolitan sites only, having already hit some of the smaller cities over the summer. A breakdown of the European tour itinerary is on the official web site: http://www.zztop.com/index.php?module=tour
It is indeed exciting that the band will be playing two shows in Russia, the first visit to the country in the band's history. It would be truly awesome if someone manages to record one or both of the shows, but the logistics involved make it doubtful.
The main question concerns if the band can maintain focus and come back into the studio in November to finish what they have apparently started. Having worked quickly in the past it is possible things could be wrapped up by early December and perhaps we'll have some new tunes to jam to in the Spring of 2011. One can hope.
Check out the "Totally Unofficial ZZ Top Tour Blog", which is a fantastic source of news, for a breakdown of some recent tweets from Mr. Rubin: http://zztopeurope2007.blogspot.com/
The band finished up their short stint with Tom Petty on 09/26 in Phoenix. There is an approx three week gap before they head off to Europe for a short tour. It's interesting in that the band appears to be visiting majory metropolitan sites only, having already hit some of the smaller cities over the summer. A breakdown of the European tour itinerary is on the official web site: http://www.zztop.com/index.php?module=tour
It is indeed exciting that the band will be playing two shows in Russia, the first visit to the country in the band's history. It would be truly awesome if someone manages to record one or both of the shows, but the logistics involved make it doubtful.
The main question concerns if the band can maintain focus and come back into the studio in November to finish what they have apparently started. Having worked quickly in the past it is possible things could be wrapped up by early December and perhaps we'll have some new tunes to jam to in the Spring of 2011. One can hope.
Saturday, September 18, 2010
New Record? Don't Bet On It
A slew of news reports have come out recently indicating that ZZ will be returning to the studio to record a new album, which will be released by the end of the year. Billy is quoted as indicating they will be working on the album following their short stint with Tom Petty. He also makes mention of working directly with Rick Rubin during the recording process.
Multiple issues with this bit of "news". Billy was also recently quoted in an interview advising that they had a long way to go, having no names or titles for songs and needing to get into the studio but finding it harder than it should be. Secondly, none of the articles mention the fact that ZZ is scheduled to return to Europe beginning October 14th after touring with Petty for a series of shows through the end of October. Third, the band has been touring non-stop since late April, and I would imagine are rather tired and in need of a break from the road and each other.
The only thing that makes me believe the band would be in a hurry to get into the studio is the influence of Mr. Rubin. Having signed the band to a contract several years ago, he has yet to have an opportunity to work his magic and rekindle the spark and shine of ZZ. Most likely he would like an album to be recorded as soon as possible, both to show his continuing relevance and abilities and to make a return on his investment.
Ultimately the fact that Billy has chosen to permanently live in California and indulge in his own activities when not on the road, and that Frank and Dusty continue to reside in the Houston vicinity creates a difficult hurdle to overcome. I just don't think the group has any motivation, outside of Rubin, to record again. As long as people keep coming to the shows and the band enjoys the road, why should they return to the studio? Besides, all members have indicated that working in the studio is not an enjoyable activity. I'm guessing that the only albums they really enjoyed working on are ZZ Top's First Album through Tejas, and then likely Rhythmeen. People generally don't do what they don't want to unless they are compelled, like perhaps from a recording contract.
Most likely the recent news reports are just continued soundbites that the band formulates to create press coverage and word of mouth, in this case probably intended to attact attention to their tour with Tom Petty and the Heartbreakers (who apparently enjoy working together in the studio and just put out another new album).
Dusty was quoted in 2005 stating that the band would be returning to the studio after that summer's tour. That was five years ago. Seriously, five years ago. It's been said every year since.
I will believe it when I see, hear and touch the "new" album. Until then...where's my copy of Mescalero?
http://www.pastemagazine.com/articles/2010/09/zz-top-working-on-new-album-with-rick-rubin-black.html
http://www.gibson.com/en-us/Lifestyle/News/zz-top-0916/
Multiple issues with this bit of "news". Billy was also recently quoted in an interview advising that they had a long way to go, having no names or titles for songs and needing to get into the studio but finding it harder than it should be. Secondly, none of the articles mention the fact that ZZ is scheduled to return to Europe beginning October 14th after touring with Petty for a series of shows through the end of October. Third, the band has been touring non-stop since late April, and I would imagine are rather tired and in need of a break from the road and each other.
The only thing that makes me believe the band would be in a hurry to get into the studio is the influence of Mr. Rubin. Having signed the band to a contract several years ago, he has yet to have an opportunity to work his magic and rekindle the spark and shine of ZZ. Most likely he would like an album to be recorded as soon as possible, both to show his continuing relevance and abilities and to make a return on his investment.
Ultimately the fact that Billy has chosen to permanently live in California and indulge in his own activities when not on the road, and that Frank and Dusty continue to reside in the Houston vicinity creates a difficult hurdle to overcome. I just don't think the group has any motivation, outside of Rubin, to record again. As long as people keep coming to the shows and the band enjoys the road, why should they return to the studio? Besides, all members have indicated that working in the studio is not an enjoyable activity. I'm guessing that the only albums they really enjoyed working on are ZZ Top's First Album through Tejas, and then likely Rhythmeen. People generally don't do what they don't want to unless they are compelled, like perhaps from a recording contract.
Most likely the recent news reports are just continued soundbites that the band formulates to create press coverage and word of mouth, in this case probably intended to attact attention to their tour with Tom Petty and the Heartbreakers (who apparently enjoy working together in the studio and just put out another new album).
Dusty was quoted in 2005 stating that the band would be returning to the studio after that summer's tour. That was five years ago. Seriously, five years ago. It's been said every year since.
I will believe it when I see, hear and touch the "new" album. Until then...where's my copy of Mescalero?
http://www.pastemagazine.com/articles/2010/09/zz-top-working-on-new-album-with-rick-rubin-black.html
http://www.gibson.com/en-us/Lifestyle/News/zz-top-0916/
Thursday, September 16, 2010
Under Pressure / Looking for Mr. Mark Thomas (zzmark)
I caught ZZ Top in Richmond, VA on Tuesday 09/14/10. Good show, if not predictable. Same set list as the show I caught in Pennsylvania. I will be posting a full review hopefully within the next week. I will mention that Billy seemed particularly more "lubricated" and "relaxed" than normal, resulting in some heavy sighs and difficulty in pronunciation. His guitar playing was unaffected, but the larger than normal delay between the opening act and ZZ's set may be an indication of some pre-show green....
I have updated my trading list to include about 20 new shows. I continue to be very interested, and very grateful, in speaking with other collectors and trading live ZZ Top. Please do not hesitate to contact me anytime with any questions or interest in live ZZ, and of course if you are looking to do a trade.
Family life has proven busy lately hence the minor reduction in the frequency of posts. I anticipate I will be able to dedicate more attention to the blog as autumn commences.
Lastly, does anyone know how I can reach Mark Thomas (zzmark)? An e-mail, website, address or phone number would prove very helpful. Mr. Thomas appears to have an astounding live ZZ collection, most likely the most complete and rare collection in the world, surpassing even that of the reigning Houston king. I would very much like to get in touch with Mr. Thomas so any help you can provide may result in a few free ZZ concerts of your choice.
Texicali...
I have updated my trading list to include about 20 new shows. I continue to be very interested, and very grateful, in speaking with other collectors and trading live ZZ Top. Please do not hesitate to contact me anytime with any questions or interest in live ZZ, and of course if you are looking to do a trade.
Family life has proven busy lately hence the minor reduction in the frequency of posts. I anticipate I will be able to dedicate more attention to the blog as autumn commences.
Lastly, does anyone know how I can reach Mark Thomas (zzmark)? An e-mail, website, address or phone number would prove very helpful. Mr. Thomas appears to have an astounding live ZZ collection, most likely the most complete and rare collection in the world, surpassing even that of the reigning Houston king. I would very much like to get in touch with Mr. Thomas so any help you can provide may result in a few free ZZ concerts of your choice.
Texicali...
Saturday, September 4, 2010
ZZ Top - All quiet on the Texas front
Things have been very quiet as of late. Little to report really. I haven't so much as seen a set list update in almost four weeks. Little news / press coverage as well.
I'm sure things will pick once ZZ starts opening for Tom Petty, however I wish the additional press coverage was due to ZZ's own individual actions and merits vs. opening for another act. No recordings of any concerts have surfaced since the end of the European trek in July - this will likely change with increased attendance and gumption from Petty's fans.
I will be seeing the group for the second and last time this year on September 14 in Richmond, Virginia. As I noted in a previous post the venue is very intimate and should prove to be an excellent conduit for ZZ's hard blues sound. I will include a full report of course.
Progress continues to be made on the Tejas / World Wide Texas chapters. Any input from readers is greatly appreciated.
Also anyone that reads this blog and is coming to the Richmond show please let me know and we can meet up prior to the concert.
Sugar cane...Domino cane...Imperial cane...Yes I can
I'm sure things will pick once ZZ starts opening for Tom Petty, however I wish the additional press coverage was due to ZZ's own individual actions and merits vs. opening for another act. No recordings of any concerts have surfaced since the end of the European trek in July - this will likely change with increased attendance and gumption from Petty's fans.
I will be seeing the group for the second and last time this year on September 14 in Richmond, Virginia. As I noted in a previous post the venue is very intimate and should prove to be an excellent conduit for ZZ's hard blues sound. I will include a full report of course.
Progress continues to be made on the Tejas / World Wide Texas chapters. Any input from readers is greatly appreciated.
Also anyone that reads this blog and is coming to the Richmond show please let me know and we can meet up prior to the concert.
Sugar cane...Domino cane...Imperial cane...Yes I can
Saturday, August 14, 2010
Show Review - Clearfield, Pennsylvania August 4th, 2010
Nestled in the mountains Clearfield proved to be a very friendly and beautiful town. Full of working men and woman who make their pay through the sweat of their brow and the toil of their hands, they proved to be a very welcoming and eager audience for ZZ Top. The scenery reminded me of my own youth and upbringing in the mountains of southwestern Virginia.
The skies began to darken as we traveled on the two lane highway, 20 minutes outside of town. In the middle of the warmest summer on record, the day would prove no different in bringing the early evening thunderstorms. Locating the county fair grounds, first by the sound of laughter and machinery, quickly followed by the sight of farris wheels and flashing lights, we chose to park as far from the entrance as possible. Walking away after a concert is always easier than driving, and it sure feels better to be making progress, albeit it slow progress, than sitting in traffic.
Having arrived two hours early we decided to hang out in the Jeep, due in large part to the creshendoed release of the rains, the clouds finally releasing the pressure that had been fortold in the stunning lighting and powerful booms of thunder.
In the CD player was Stockholm, 10/02/1981. My favorite period of the band, the youth and fire of the group blasted through the speakers with utter force and control. Would we see any of the master of sparks that night I wondered.
Having poured for a little over an hour, the heavens finally opened to reveal the dimming sun. The journey to the fairgrounds entrance revealed a well lubricated, but well behaved, constituance. A watchful eye could pick out the ZZ T-shirts amongst the crowd, ranging from ragged Fandango to modern Mescalero. The fair proved to be heavy on food and somewhat light on rides. No matter, I had not come to get nauseous on the teacups, I had a greater purpose.
Discovering our seats were on the exposured grounds of the racetrack, initial concerns about a second occurrence of rain proved unnecessary. The only remanants of the earlier storms would be the cool summer breeze and lowered humidity.
8:00 pm. Showtime. No opening act. No one was in the mood for a warm up anyway, we wanted to see the main attraction. True to form the chants of "ZZ Top, ZZ Top" began to bellow from the middle of the audience, quickly building in tempo and volume.
Pulling aside the curtain Frank's traditional skull kit was revealed. I had hoped the spinning dubs of the green kit would carry over from the last few European shows however it was not to be. The techno music strikingly abated, and with a confident and steady pace Billy emerged from stage left, pointing to the crowd in acknowledgement of their roaring approval. Wearing his African hat and tradional black garb, he looked as smooth as always. It must be said that Dusty pulls off one of the coolest looks in showbiz, complete with weathered modern cowboy hat and stunning black boots. His appearence is unmistakable.
Moving the pick up the fretboard, with the gain on 10 and the volume on 11, Billy relayed the Halen-esque intro to "Under Pressure". On point as ever, the band put a smile on ever face in attendance. The light-bright screen was up and running, and the chorography was in effect.
"Waitin for the Bus" / "Jesus Just Left Chicago" came next. Billy's voice was in good shape (for year 2000 - ) standards. Billy and Dusty showed off some of the moves that can be seen in the 1980 "Double Down Live" show.
The lumbering "Pincushion" was next. To me this song needs to go. If you can only play one song from the RCA era, which is ridiculous on it's own merit, than how about "Bang Bang", "Poke Chop Sandwich" or "Piece". Someone needs to start a "Death to Pincushion" campaign. The shapely blond that appears on the Lite-Bright during the song further reduces my interest in the actual track.
After "Nationwide", with Dusty's still fluent bass skills in full display, my ears welcomed "Future Blues". The first real showcase of Dusty's voice this evening, it came through powerful and clear. With no hesitation he accentuated the close of each verse. Further the relatively new second half of the song where Billy mimics Dusty's vocals on the guitar really add to the song. The audience cheered its approval.
"Rock Me Baby" is a good track, but it reminds me of the excellent version of "Rattlesnake Shake" that they did on the 2005 tour. Ultimely this spot could be better served by a blazing version of "Dust My Broom" but that is only my opinion, I don't speak for the masses or the band.
The "My Head's in Mississippi" tease is painful. The crowd always cheers and immediately begins to sing along. An utter mystery, the arguably strongest track on "Recycler" never received a fair shake from the band, being forever dropped from the set list after the 1990 tour. Night after night it is obvious the crowd recognizes and likes the song; play the damn thing in its entirety.
"Cheap Sunglasses", while pleasing to the crowd, proved unremarkable. "I Need You Tonight" was impressive, showcasing Billy's still formidable guitar prowness, and the crowd found the heavy jam to be a satisfying experience.
Billy, still conductor of the proceedings as he has always been, began to loosen up greatly at this point. Noting the visible sunset he recounted his experiences and meetings with the legendary Hendrix. "Hey Joe" was given some special treatment tonight, with excellent harmonics throughout and spanish lyrics. This track, along with "Legs" uses prominent and extensive piped in keyboards to flesh out the sound.
Acknowledging the audience's enthusastic clapping, Billy extended the solo blues licks intro to "Brown Sugar". Firing on all cyclinders, the group captivated.
"Party On the Patio" was good, but I am becoming suspect of Dusty's vocals. The pitch, tone and pace sounds very similar night after night, making me weary of possible lip-syncing at play. I will watch this carefully at the Richmond show I attend in September.
The best song of the evening "Just Got Paid" came next. Awesome guitar, awesome drums, awesome bass. More than any other track this song brings back memories of the youth and fire of yesterday.
The Eliminator trilogy was in its usual place. Having lip-synced "Legs" for many years now Billy simply must record an updated version of the song if they wish to keep playing this live without creating suspicion. His voice sounds way too clean and clear compared to the rest of the concert, and the casual fans around me remarked at the striking difference. If you must lip-synch it than use a lip-synced recording of your voice from 2010.
The encores of "La Grange" and "Tush" were good fun as always. It is especially enjoyable to see the band photos, both past and present, on the Lite-Bright during Tush.
For the first time in my experience Frank emerged from behind the drum kit and joined his bandmates in an interlocked bow. Nice to see this.
Carefully listening to the conversations of others as we exited the grounds, I noted the exhubarant and praising words of the attendees. ZZ Top had once again brought down the house, uh, fair. Good to be a fan of the best band from the States.
Have mercy...
The skies began to darken as we traveled on the two lane highway, 20 minutes outside of town. In the middle of the warmest summer on record, the day would prove no different in bringing the early evening thunderstorms. Locating the county fair grounds, first by the sound of laughter and machinery, quickly followed by the sight of farris wheels and flashing lights, we chose to park as far from the entrance as possible. Walking away after a concert is always easier than driving, and it sure feels better to be making progress, albeit it slow progress, than sitting in traffic.
Having arrived two hours early we decided to hang out in the Jeep, due in large part to the creshendoed release of the rains, the clouds finally releasing the pressure that had been fortold in the stunning lighting and powerful booms of thunder.
In the CD player was Stockholm, 10/02/1981. My favorite period of the band, the youth and fire of the group blasted through the speakers with utter force and control. Would we see any of the master of sparks that night I wondered.
Having poured for a little over an hour, the heavens finally opened to reveal the dimming sun. The journey to the fairgrounds entrance revealed a well lubricated, but well behaved, constituance. A watchful eye could pick out the ZZ T-shirts amongst the crowd, ranging from ragged Fandango to modern Mescalero. The fair proved to be heavy on food and somewhat light on rides. No matter, I had not come to get nauseous on the teacups, I had a greater purpose.
Discovering our seats were on the exposured grounds of the racetrack, initial concerns about a second occurrence of rain proved unnecessary. The only remanants of the earlier storms would be the cool summer breeze and lowered humidity.
8:00 pm. Showtime. No opening act. No one was in the mood for a warm up anyway, we wanted to see the main attraction. True to form the chants of "ZZ Top, ZZ Top" began to bellow from the middle of the audience, quickly building in tempo and volume.
Pulling aside the curtain Frank's traditional skull kit was revealed. I had hoped the spinning dubs of the green kit would carry over from the last few European shows however it was not to be. The techno music strikingly abated, and with a confident and steady pace Billy emerged from stage left, pointing to the crowd in acknowledgement of their roaring approval. Wearing his African hat and tradional black garb, he looked as smooth as always. It must be said that Dusty pulls off one of the coolest looks in showbiz, complete with weathered modern cowboy hat and stunning black boots. His appearence is unmistakable.
Moving the pick up the fretboard, with the gain on 10 and the volume on 11, Billy relayed the Halen-esque intro to "Under Pressure". On point as ever, the band put a smile on ever face in attendance. The light-bright screen was up and running, and the chorography was in effect.
"Waitin for the Bus" / "Jesus Just Left Chicago" came next. Billy's voice was in good shape (for year 2000 - ) standards. Billy and Dusty showed off some of the moves that can be seen in the 1980 "Double Down Live" show.
The lumbering "Pincushion" was next. To me this song needs to go. If you can only play one song from the RCA era, which is ridiculous on it's own merit, than how about "Bang Bang", "Poke Chop Sandwich" or "Piece". Someone needs to start a "Death to Pincushion" campaign. The shapely blond that appears on the Lite-Bright during the song further reduces my interest in the actual track.
After "Nationwide", with Dusty's still fluent bass skills in full display, my ears welcomed "Future Blues". The first real showcase of Dusty's voice this evening, it came through powerful and clear. With no hesitation he accentuated the close of each verse. Further the relatively new second half of the song where Billy mimics Dusty's vocals on the guitar really add to the song. The audience cheered its approval.
"Rock Me Baby" is a good track, but it reminds me of the excellent version of "Rattlesnake Shake" that they did on the 2005 tour. Ultimely this spot could be better served by a blazing version of "Dust My Broom" but that is only my opinion, I don't speak for the masses or the band.
The "My Head's in Mississippi" tease is painful. The crowd always cheers and immediately begins to sing along. An utter mystery, the arguably strongest track on "Recycler" never received a fair shake from the band, being forever dropped from the set list after the 1990 tour. Night after night it is obvious the crowd recognizes and likes the song; play the damn thing in its entirety.
"Cheap Sunglasses", while pleasing to the crowd, proved unremarkable. "I Need You Tonight" was impressive, showcasing Billy's still formidable guitar prowness, and the crowd found the heavy jam to be a satisfying experience.
Billy, still conductor of the proceedings as he has always been, began to loosen up greatly at this point. Noting the visible sunset he recounted his experiences and meetings with the legendary Hendrix. "Hey Joe" was given some special treatment tonight, with excellent harmonics throughout and spanish lyrics. This track, along with "Legs" uses prominent and extensive piped in keyboards to flesh out the sound.
Acknowledging the audience's enthusastic clapping, Billy extended the solo blues licks intro to "Brown Sugar". Firing on all cyclinders, the group captivated.
"Party On the Patio" was good, but I am becoming suspect of Dusty's vocals. The pitch, tone and pace sounds very similar night after night, making me weary of possible lip-syncing at play. I will watch this carefully at the Richmond show I attend in September.
The best song of the evening "Just Got Paid" came next. Awesome guitar, awesome drums, awesome bass. More than any other track this song brings back memories of the youth and fire of yesterday.
The Eliminator trilogy was in its usual place. Having lip-synced "Legs" for many years now Billy simply must record an updated version of the song if they wish to keep playing this live without creating suspicion. His voice sounds way too clean and clear compared to the rest of the concert, and the casual fans around me remarked at the striking difference. If you must lip-synch it than use a lip-synced recording of your voice from 2010.
The encores of "La Grange" and "Tush" were good fun as always. It is especially enjoyable to see the band photos, both past and present, on the Lite-Bright during Tush.
For the first time in my experience Frank emerged from behind the drum kit and joined his bandmates in an interlocked bow. Nice to see this.
Carefully listening to the conversations of others as we exited the grounds, I noted the exhubarant and praising words of the attendees. ZZ Top had once again brought down the house, uh, fair. Good to be a fan of the best band from the States.
Have mercy...
Monday, August 9, 2010
Trading List / Want List updated; Houston March 18th 2007
I have fully updated my trading list - a lot of new entries so please take a look. I have also updated my specific want list; of course I am always willing to trade for any shows I don't have, not just the ones on my want list.
Lastly I am very interested in finding a copy of ZZ's 03/18/2007 show in Houston, TX. Surely some kind soul has a copy or knows where I can trade for a copy. There are at least two audio versions, both said to be of excellent quality. I will trade 10:1 for this show. Please contact me if you know where I can find this great concert. Thank you!!
Lastly I am very interested in finding a copy of ZZ's 03/18/2007 show in Houston, TX. Surely some kind soul has a copy or knows where I can trade for a copy. There are at least two audio versions, both said to be of excellent quality. I will trade 10:1 for this show. Please contact me if you know where I can find this great concert. Thank you!!
Sunday, August 8, 2010
ZZ Top appearance rider / Clearfield, PA show update
Found some very interesting stuff on the web earlier this weekend. For all those intrigued by insider information on ZZ, I suggest you visit the following site:
www.thesmokinggun.com/backstage/hall-fame/zz-top
Click on the "view the document" section on the left hand side of the page. What you will find is 5 pages of the band's rider agreement provided to the promoter or venue manager in advance of each show. Keep in mind I have no way to verify the authenticity or accuracy of this document, and in no way represent it to be the absolute truth. I am not even sure of the year of the document. Still the findings are very interesting.
A few points to be made about what the document states:
- I'm guessing the oxygen and mask needed 30 minutes prior to and through to 30 minutes post show is due to Dusty's asthma. Hopefully he is not a regular smoker; he can clearly be seen in the "Live From Texas" DVD puffing on a cigarette. I suppose it could also be available to assist with warming up Dusty and Billy's throats/vocals for the about to be concert, but I doubt it.
- Mariah Carey, notorious for pre-show requests, can't hold a candle to ZZ. Actually I'm kidding. But the extensive amount of food, drink and accomodations is surprising.
- Billy obviously still loves Mexican food, as can be seen in the extensive requirement of Mexican type dishes and sauces.
- If "Tab" cola ever decides to advertise Frank Beard absolutely must be their sponsor. I bet he would do it for free. Having consumed the beverage in large quantities since the early '80's this man has Tab running through his veins.
-----
Attended the Clearfield, PA county fair show on August 4th. Overall a great show, with abundant guitar variations and improvisations from Billy that an intermediate and above ZZ fan would knowingly pick up. Show also appears to have fully sold out despite a rather expensive ticket price. A full review is forthcoming.
www.thesmokinggun.com/backstage/hall-fame/zz-top
Click on the "view the document" section on the left hand side of the page. What you will find is 5 pages of the band's rider agreement provided to the promoter or venue manager in advance of each show. Keep in mind I have no way to verify the authenticity or accuracy of this document, and in no way represent it to be the absolute truth. I am not even sure of the year of the document. Still the findings are very interesting.
A few points to be made about what the document states:
- I'm guessing the oxygen and mask needed 30 minutes prior to and through to 30 minutes post show is due to Dusty's asthma. Hopefully he is not a regular smoker; he can clearly be seen in the "Live From Texas" DVD puffing on a cigarette. I suppose it could also be available to assist with warming up Dusty and Billy's throats/vocals for the about to be concert, but I doubt it.
- Mariah Carey, notorious for pre-show requests, can't hold a candle to ZZ. Actually I'm kidding. But the extensive amount of food, drink and accomodations is surprising.
- Billy obviously still loves Mexican food, as can be seen in the extensive requirement of Mexican type dishes and sauces.
- If "Tab" cola ever decides to advertise Frank Beard absolutely must be their sponsor. I bet he would do it for free. Having consumed the beverage in large quantities since the early '80's this man has Tab running through his veins.
-----
Attended the Clearfield, PA county fair show on August 4th. Overall a great show, with abundant guitar variations and improvisations from Billy that an intermediate and above ZZ fan would knowingly pick up. Show also appears to have fully sold out despite a rather expensive ticket price. A full review is forthcoming.
Monday, August 2, 2010
Tejas & World Wide Tour / ZZ Top week / Trading list update
Progress continues on the planned three part series concerning the infamous "Tejas" album and the accompanying World Wide Texas Tour. I have received several very enjoyable and informative contributions from readers. If you have memories of seeing the band on this tour or are willing to share your thoughts on "Tejas" please send me an e-mail. I am very appreciative of the documenting, which can only serve to improve the accuracy and enjoyment of the series.
-----
I will be seeing the group for the first time this year on Wednesday 08/04/10 in Clearfield, PA. ZZ has just returned from their summer Europe stint, a trek that for all intensive purposes turned out to be a well received and joyous experience for band members and fans alike. I will provide a full report on the show towards the end of the week, hopefully with photos if I can get some good pictures. Set list and notations on individual songs to be included.
As the band has now confirmed they will be playing in Richmond, VA on 09/14/10 it appears I will be seeing them a second time. The venue this time will be the National. Holding perhaps 1500 to 2000 people, the building serves as an intimate and personal conduit to it's host musicians. I fully expect to be at the front of the stage for this one, and should be able to obtain excellent photographs. For those that are attending, I will be the idiot screaming for "Ten Dollar Man" and "Don't Tease Me".
-----
I have fully updated my trading list. Individuals that are looking to trade ZZ's recordings should not hesitate to send me an e-mail, I am more than happy to discuss, offer guidance on and share the great ZZ Top live sound.
-----
I will be seeing the group for the first time this year on Wednesday 08/04/10 in Clearfield, PA. ZZ has just returned from their summer Europe stint, a trek that for all intensive purposes turned out to be a well received and joyous experience for band members and fans alike. I will provide a full report on the show towards the end of the week, hopefully with photos if I can get some good pictures. Set list and notations on individual songs to be included.
As the band has now confirmed they will be playing in Richmond, VA on 09/14/10 it appears I will be seeing them a second time. The venue this time will be the National. Holding perhaps 1500 to 2000 people, the building serves as an intimate and personal conduit to it's host musicians. I fully expect to be at the front of the stage for this one, and should be able to obtain excellent photographs. For those that are attending, I will be the idiot screaming for "Ten Dollar Man" and "Don't Tease Me".
-----
I have fully updated my trading list. Individuals that are looking to trade ZZ's recordings should not hesitate to send me an e-mail, I am more than happy to discuss, offer guidance on and share the great ZZ Top live sound.
Tuesday, July 20, 2010
Calling Mr. Gibbons...Mr. Gibbons please...Mr. Gibbons...???
Okay, no need to harp on this long-term but a comment needs to be made...
I received my copy of ZZ's "Live From Texas" 2007 show on vinyl today. I love the sound you get from vinyl records, and the 180 gram edition had me right away.
Apparently as a bonus LP track "Heard It On the X" has been added back in, having originally been removed from the CD due to time constraints. "Foxy Lady" and "Pincushion" are still missing however. As any ZZ fan worth his weight knows Billy usually performs a few slide blues licks, usually lasting 30 - 45 seconds, prior to "Just Got Paid". He did the same in the "Live From Texas" show. The issue here however is that on the record you hear the blues intro, then suddenly Billy shouts "Let's go down to that Mexican border one time" and "Heard It On the X" starts playing. Then immediately following "X" is the beginning of the "Just Got Paid" riff. They butchered "Paid" by sticking "X" in the middle of it!
What pisses me off is that Billy obviously did not listen to and approve the record prior to its release. Instead of monitoring quality control and ensuring the important heritage and presentation of ZZ Top, he's busy touring like crazy. This may seem like a small issue, but the record was not cheap. ZZ Top fans are a loyal breed. We deserve better than this.
Who is in charge here? Who is ZZ Top's manager? Who reviews and monitors these things? Was this just another way to make a quick buck?
Mr. Gibbons, are you listening??!!!! If someone close to the band reads this than speak up!! Answer your fans!!!
I received my copy of ZZ's "Live From Texas" 2007 show on vinyl today. I love the sound you get from vinyl records, and the 180 gram edition had me right away.
Apparently as a bonus LP track "Heard It On the X" has been added back in, having originally been removed from the CD due to time constraints. "Foxy Lady" and "Pincushion" are still missing however. As any ZZ fan worth his weight knows Billy usually performs a few slide blues licks, usually lasting 30 - 45 seconds, prior to "Just Got Paid". He did the same in the "Live From Texas" show. The issue here however is that on the record you hear the blues intro, then suddenly Billy shouts "Let's go down to that Mexican border one time" and "Heard It On the X" starts playing. Then immediately following "X" is the beginning of the "Just Got Paid" riff. They butchered "Paid" by sticking "X" in the middle of it!
What pisses me off is that Billy obviously did not listen to and approve the record prior to its release. Instead of monitoring quality control and ensuring the important heritage and presentation of ZZ Top, he's busy touring like crazy. This may seem like a small issue, but the record was not cheap. ZZ Top fans are a loyal breed. We deserve better than this.
Who is in charge here? Who is ZZ Top's manager? Who reviews and monitors these things? Was this just another way to make a quick buck?
Mr. Gibbons, are you listening??!!!! If someone close to the band reads this than speak up!! Answer your fans!!!
Thursday, July 15, 2010
Spontaneity
Appears there is an indication that Jeff Beck may have stepped onstage with ZZ during a concert in Italy within the past few days. Jeff and Billy had been attending a few events together earlier this month so it's perhaps not fully surprising, but still very exciting, that Jeff played with the boyzz. It is these moments of spontaneity that create an immense amount of excitement for me, and I imagine for many others that collect ZZ Top's concert recordings.
Throughout the 1970's ZZ would mix things up, varying the set list and often jamming on songs each night. Some of the earliest recordings feature songs approaching 20 minutes, which are very loose in structure and if anything were an exercise to show off the talents of the musicians on their respect instruments. Some may not know that in the early days Frank Beard had a prominent and isolated drum solo. Tough to imagine that now a days.
These moments of surprise reassure the hardcore long-term fans that the Top continues to innovate, rather than dialing it in. After 40+ years of playing together, and with an utterly astoundingly complacent set list (why in the hell are they not playing "Francine"!!!!) it would be easy for the group to simply show up to collect a pay check. I would actively be concerned about one member of the band, but since he's had the same "cool" stage persona since the mid 1980's I'm not really worried that he's so bored he's about to quit.
Slash and John Mayer (sorry, I can't stand Mayer) joined the group onstage last summer, and early last year Billy jammed on the immortal "Rattlesnake Shake" with Aerosmith in Dallas. The show with Billy Bob's group in Texas early last year was another highlight. Seeking these rare shows adds great excitement to the pursuit and passion of collecting live ZZ.
I do however miss the days of the double encores. The early 1980's found a still youthful and recently reinvigorated ZZ Top answering the demands of their audiences. When the house lights came on, and the crowd screamed and roared and refused to leave, the band happily obliged and threw the lights down again, promising to "tear this house down tonight". If the set list must remain so rigid, perhaps a comprise can be made by mixing up the encores. A little "Thank You" or "Bang Bang" would go a long way!
So far this has been a fantastic year for new ZZ Top recordings. As of this writing 10 shows have been recorded, likely more but those remain unknown. For this I am very thankful and appreciative to those dedicated tapers who honorably share the fruits of their efforts with all fans to enjoy. To the tapers, I thank you.
* On point, I am very interested in obtaining a copy of the Italy show where Jeff Beck joined the group (if the rumors are true). Please contact me if you have a recording of this concert.
** I am also very interested in obtaining a copy of ZZ's Houston Rodeo performance in early 2007. This was a great show with some real rarities played. I know a few people have copies but I am having trouble securing a full version of the show.
*** I am an honest man and wish to share my recordings with any ZZ Top fan that is interested. If you have either of the two shows mentioned above I would be happy to trade multiple shows for the one you have. Thank you!!!
Throughout the 1970's ZZ would mix things up, varying the set list and often jamming on songs each night. Some of the earliest recordings feature songs approaching 20 minutes, which are very loose in structure and if anything were an exercise to show off the talents of the musicians on their respect instruments. Some may not know that in the early days Frank Beard had a prominent and isolated drum solo. Tough to imagine that now a days.
These moments of surprise reassure the hardcore long-term fans that the Top continues to innovate, rather than dialing it in. After 40+ years of playing together, and with an utterly astoundingly complacent set list (why in the hell are they not playing "Francine"!!!!) it would be easy for the group to simply show up to collect a pay check. I would actively be concerned about one member of the band, but since he's had the same "cool" stage persona since the mid 1980's I'm not really worried that he's so bored he's about to quit.
Slash and John Mayer (sorry, I can't stand Mayer) joined the group onstage last summer, and early last year Billy jammed on the immortal "Rattlesnake Shake" with Aerosmith in Dallas. The show with Billy Bob's group in Texas early last year was another highlight. Seeking these rare shows adds great excitement to the pursuit and passion of collecting live ZZ.
I do however miss the days of the double encores. The early 1980's found a still youthful and recently reinvigorated ZZ Top answering the demands of their audiences. When the house lights came on, and the crowd screamed and roared and refused to leave, the band happily obliged and threw the lights down again, promising to "tear this house down tonight". If the set list must remain so rigid, perhaps a comprise can be made by mixing up the encores. A little "Thank You" or "Bang Bang" would go a long way!
So far this has been a fantastic year for new ZZ Top recordings. As of this writing 10 shows have been recorded, likely more but those remain unknown. For this I am very thankful and appreciative to those dedicated tapers who honorably share the fruits of their efforts with all fans to enjoy. To the tapers, I thank you.
* On point, I am very interested in obtaining a copy of the Italy show where Jeff Beck joined the group (if the rumors are true). Please contact me if you have a recording of this concert.
** I am also very interested in obtaining a copy of ZZ's Houston Rodeo performance in early 2007. This was a great show with some real rarities played. I know a few people have copies but I am having trouble securing a full version of the show.
*** I am an honest man and wish to share my recordings with any ZZ Top fan that is interested. If you have either of the two shows mentioned above I would be happy to trade multiple shows for the one you have. Thank you!!!
Wednesday, July 7, 2010
New Album rumors?!
There has been a light buzz going around indicating some possible hints of a new album, to be released in the fall of this year. Reportedly Billy advised a Finland newspaper that they hope to have a new record released, possibly in September. Further a music industry site has indicated a new album is anticipated to be put out this year. This same site references Robert Plant's new Band of Joy album as an anticipated release; this is actually a definite for later this year, so maybe the same holds true for ZZ. It is easy to be skeptical, but I can't help but be a little excited. No indications of a possible album title and overall little is known.
I ask that fans comment when they hear or read any information possibly pertaining to a new album.
Thanks!!
I ask that fans comment when they hear or read any information possibly pertaining to a new album.
Thanks!!
Tuesday, July 6, 2010
The Untouchables
A fellow ZZ Top fan proposed an interesting point. He felt it was questionable for ZZ to cover one of Jimi Hendrix's most quintessential tracks - "Hey Joe". Having felt this to be a song of utmost influence, sincerity and personal creativity, he argued that maybe it was not appropriate for the group to offer their own version. So I thought; is it a good idea?
It's true that Zeppelin's "Stairway to Heaven" has never had a really sincere cover, most versions are a joke or play on words. Same holds for Floyd's "Wish You Were Here". Lennon's "Imagine". These are huge songs, yet bands and musicians have stayed away from trying to offer a rendition. Perhaps in fear of backlash from the public or the original composer? Maybe the tunes simply cannot be faithfully replicated? I hadn't really thought about it before, but the one time I went to see a Zeppelin cover band they did not play "Stairway". It didn't hit me at the time, but its an interesting revelation.
Certainly Hendrix is at the pinnacle of music's most astoundingly talented, astoundingly revered, astoundingly creative individuals. His compositions and influence will transcend centuries of would be imitators of less blinding skill, of living memories fading into historical accounts and anecdotes. But is "Hey Joe" the one - the untouchable track amongst his many generous gifts to man? Actually, yeah, it probably is, to me and the fellow ZZ Top fan anyway.
But in light of the history between Billy Gibbons and Jimi Hendrix I would argue an exception needs to be made. Jimi named Billy as one of his favorite and most talented musicians, and was so confident and enthusiastic in the aspiring guitarist's work that he brought him along on the road to tour together. Billy has spoken very highly of Hendrix through the years, as everyone does. But Billy has a greater connection than Slash or Kenny Wayne Shepard. He spoke with and learned from the master. He was part of the circle, if only for a short while. The band does a fair and genuine rendition of "Hey Joe" and crowds enthusiastically react when the first words asking about that gun in Joe's hand are sung. If Billy digs it, and Dusty digs it, and Frank digs it, and the crowd digs it, and the masses dig it, so be it. I'm pretty sure Jimi would dig it too.
* It was rumored during the Spring rehearsals ZZ was working on a third Hendrix song to possibly bring to the stage (after "Hey Joe" and "Foxy Lady"). Having slowly lengthened the closing outro of "Hey Joe" over the course of the year to include several highly notable chords of "The Wind Cries Mary", perhaps this is the next tune the Top will turn us on to.
*
It's true that Zeppelin's "Stairway to Heaven" has never had a really sincere cover, most versions are a joke or play on words. Same holds for Floyd's "Wish You Were Here". Lennon's "Imagine". These are huge songs, yet bands and musicians have stayed away from trying to offer a rendition. Perhaps in fear of backlash from the public or the original composer? Maybe the tunes simply cannot be faithfully replicated? I hadn't really thought about it before, but the one time I went to see a Zeppelin cover band they did not play "Stairway". It didn't hit me at the time, but its an interesting revelation.
Certainly Hendrix is at the pinnacle of music's most astoundingly talented, astoundingly revered, astoundingly creative individuals. His compositions and influence will transcend centuries of would be imitators of less blinding skill, of living memories fading into historical accounts and anecdotes. But is "Hey Joe" the one - the untouchable track amongst his many generous gifts to man? Actually, yeah, it probably is, to me and the fellow ZZ Top fan anyway.
But in light of the history between Billy Gibbons and Jimi Hendrix I would argue an exception needs to be made. Jimi named Billy as one of his favorite and most talented musicians, and was so confident and enthusiastic in the aspiring guitarist's work that he brought him along on the road to tour together. Billy has spoken very highly of Hendrix through the years, as everyone does. But Billy has a greater connection than Slash or Kenny Wayne Shepard. He spoke with and learned from the master. He was part of the circle, if only for a short while. The band does a fair and genuine rendition of "Hey Joe" and crowds enthusiastically react when the first words asking about that gun in Joe's hand are sung. If Billy digs it, and Dusty digs it, and Frank digs it, and the crowd digs it, and the masses dig it, so be it. I'm pretty sure Jimi would dig it too.
* It was rumored during the Spring rehearsals ZZ was working on a third Hendrix song to possibly bring to the stage (after "Hey Joe" and "Foxy Lady"). Having slowly lengthened the closing outro of "Hey Joe" over the course of the year to include several highly notable chords of "The Wind Cries Mary", perhaps this is the next tune the Top will turn us on to.
*
Wednesday, June 23, 2010
And the Wheel Rolls On...
Well the ZZ Top express is in full swing. After some initial concerts in the US of A in May, featuring some nice additions to the set list, the group moved on down to South America. Some reports indicated they reinserted Francine into the set list, with the final verses being in Spanish in the traditional presentation of the song; no doubt a crowd pleaser. Moving back to North America the group played a number of dates traveling east from British Columbia, reentering the States tonight in Bloomington, Illinois.
ZZ will be playing Summerfest this weekend. The festival is proclaimed to be the largest of its kind in the world, with 800+ bands in 11 days on 11 stages. It remains unclear if ZZ is playing on the 25th, the 26th, or both. Either way it should be a great show, although the Top rarely capitalizes on these expanded exposure concerts by mixing things up or being extra creative.
To date four recordings of shows from the 2010 tour have surfaced, four that I'm aware of anyway. The more recent shows reveal the early kinks and voice issues have been worked out, and once again a polished and streamlined show has emerged. I'm unsure if that's a good thing or a bad thing. Sadly Thunderbird and Francine (save for South America) remain out of the set list. These songs are staples of the ZZ legend, their glaring absence is bizarre and dumbfounding. I can only assume the group does not like the sound or energy of the tracks; surely the fans are excited to hear them, and the ones that aren't are not really Top fans now are they. Hopefully a recording of the Summerfest show will surface - I would imagine a heavy handful of bands will be recorded.
*****
40+ years and counting....anyone think the goal is 50? Lots of people retire at 71, and to my knowledge recording artists don't have pensions. Wonder what 2020 will bring?
ZZ will be playing Summerfest this weekend. The festival is proclaimed to be the largest of its kind in the world, with 800+ bands in 11 days on 11 stages. It remains unclear if ZZ is playing on the 25th, the 26th, or both. Either way it should be a great show, although the Top rarely capitalizes on these expanded exposure concerts by mixing things up or being extra creative.
To date four recordings of shows from the 2010 tour have surfaced, four that I'm aware of anyway. The more recent shows reveal the early kinks and voice issues have been worked out, and once again a polished and streamlined show has emerged. I'm unsure if that's a good thing or a bad thing. Sadly Thunderbird and Francine (save for South America) remain out of the set list. These songs are staples of the ZZ legend, their glaring absence is bizarre and dumbfounding. I can only assume the group does not like the sound or energy of the tracks; surely the fans are excited to hear them, and the ones that aren't are not really Top fans now are they. Hopefully a recording of the Summerfest show will surface - I would imagine a heavy handful of bands will be recorded.
*****
40+ years and counting....anyone think the goal is 50? Lots of people retire at 71, and to my knowledge recording artists don't have pensions. Wonder what 2020 will bring?
Friday, June 18, 2010
Set List Update
June 16th, 2010 - Thunder Bay, Ontario, Canada
01) Got Me Under Pressure
02) Waitin' For The Bus
03) Jesus Just Left Chicago
04) Pincushion
05) I'm Bad, I'm Nationwide
06) Future Blues
07) Rock Me Baby
08) I Loved A Woman
09) My Head's In Mississippi Intro
10) Cheap Sunglasses
11) Hey Joe
12) Brown Sugar
13) Party On The Patio
14) Just Got Paid
15) Gimme All Your Lovin'
16) Sharp Dressed Man
17) Legs
18) Viva Las Vegas
19) La Grange
20) Tush
- Looks like they have dropped "I Need You Tonight" in favor of "I Loved a Woman". Good move in my opinion, "Tonight" was starting to get a little stale and methodical.
01) Got Me Under Pressure
02) Waitin' For The Bus
03) Jesus Just Left Chicago
04) Pincushion
05) I'm Bad, I'm Nationwide
06) Future Blues
07) Rock Me Baby
08) I Loved A Woman
09) My Head's In Mississippi Intro
10) Cheap Sunglasses
11) Hey Joe
12) Brown Sugar
13) Party On The Patio
14) Just Got Paid
15) Gimme All Your Lovin'
16) Sharp Dressed Man
17) Legs
18) Viva Las Vegas
19) La Grange
20) Tush
- Looks like they have dropped "I Need You Tonight" in favor of "I Loved a Woman". Good move in my opinion, "Tonight" was starting to get a little stale and methodical.
Wednesday, June 16, 2010
How the West Was Won
Having briefly alluded to it a few posts ago, I have decided to undertake a major writing project in discussing, analyizing and recounting the fantastic album of "Tejas" and the concurrent "World Wide Texas Tour". Likely to appear in three parts, I will be conducting extensive research for each chapter.
To this end I am requesting people e-mail me with their thoughts on the album. Accounts of the first time they
heard the record, their opinion of the music within, and their thoughts on its place within the ZZ Top catalogue
and career would be fantastic. Also it would be awesome to hear from any individuals that attended a concert
during this famous tour, and their impressions of the show.
I can be reached via e-mail at: truckfan81@yahoo.com
Thank you to those who continue to provide support and visit this page!
To this end I am requesting people e-mail me with their thoughts on the album. Accounts of the first time they
heard the record, their opinion of the music within, and their thoughts on its place within the ZZ Top catalogue
and career would be fantastic. Also it would be awesome to hear from any individuals that attended a concert
during this famous tour, and their impressions of the show.
I can be reached via e-mail at: truckfan81@yahoo.com
Thank you to those who continue to provide support and visit this page!
Tuesday, June 8, 2010
ZZ Top - live impressions
Despite my love for ZZ I have only seen them live a handful of times. Whether due to prior engagements, a lack of geographical convenience, or a shortage of funds (quickly becoming the primary problem) I have not been to many concerts. There are many fans who have seen the group 10, 20, even 80+ times. Having fallen in love with the music early on these individuals have made it a point to see each tour, not unlike a Grateful Dead fan from years past.
Thanks to the increased availability of clips via YouTube and videos via torrent sites newer fans have had the opportunity to see the group in each decade of their existence. Whether the spectacular footage from Maryland in 1976 or the brutal assault of Rockpalast. Through to the perfected machinery of Rhythmeen's tour, the surprise of "Stages" in 2005 and on up to Europe in 2008 and 2009.
The lack of variety and increased staleness of the group's set list in the last 10 years notwithstanding, going to see the Top in person continues to be an enjoyable experience. The addition of a few rare gems into the show this year has created some excitement, the only hope is that the band does not slowly drop them one by one as they have been known to do in the past. I can only assume they enjoy playing live, as a full year off has not been taken since 2006. That's six out of seven years of touring without a new album - that has to strike a chord with Billy at some point doesn't it?
Anyway I will be taking in one show this year, at Clearfield PA in early August. If anyone is going to this show feel free to contact me beforehand and we can meet up. I will also provide a detailed review / report on the show as well come August.
* Rocketman - I would be happy to set up a trade. Please e-mail me at truckfan81@yahoo.com
Thanks to the increased availability of clips via YouTube and videos via torrent sites newer fans have had the opportunity to see the group in each decade of their existence. Whether the spectacular footage from Maryland in 1976 or the brutal assault of Rockpalast. Through to the perfected machinery of Rhythmeen's tour, the surprise of "Stages" in 2005 and on up to Europe in 2008 and 2009.
The lack of variety and increased staleness of the group's set list in the last 10 years notwithstanding, going to see the Top in person continues to be an enjoyable experience. The addition of a few rare gems into the show this year has created some excitement, the only hope is that the band does not slowly drop them one by one as they have been known to do in the past. I can only assume they enjoy playing live, as a full year off has not been taken since 2006. That's six out of seven years of touring without a new album - that has to strike a chord with Billy at some point doesn't it?
Anyway I will be taking in one show this year, at Clearfield PA in early August. If anyone is going to this show feel free to contact me beforehand and we can meet up. I will also provide a detailed review / report on the show as well come August.
* Rocketman - I would be happy to set up a trade. Please e-mail me at truckfan81@yahoo.com
Wednesday, June 2, 2010
Trading list updated
Trading list fully updated.
http://antennaheadnews.blogspot.com/2009/10/zz-top-shows-to-trade.html
http://antennaheadnews.blogspot.com/2009/10/zz-top-shows-to-trade.html
Tuesday, June 1, 2010
Heartbreaker
In light of Joe Cocker canceling some planned openings for Tom Petty and the Heartbreakers the Top has agreed to step in and fill the void. A series of six shows in September will feature the two veteran groups, surely pleasing the attending fans.
I gotta tell you, the old saying "don't over think it" is good advice. Being a dedicated fan and pursuer of all things ZZ, I of course tend to over think when it comes to news concerning the group. Here are some random thoughts that have struck me about the news concerning the tour w/ Petty:
- Have you seen the tickets for these shows? On 09/18/10 the bands will be playing in Raleigh, NC - an easy drive for me. But I'm not willing (or able) to pay $200 after fees and charges are added on. That's a lot of dough. Don't get me wrong, Tom Petty is great, I'm a big fan. But I'm not going to pay this amount of money to see any band outside of Led Zeppelin w/ Jason Bonham on drums.
- I can tell you right now - the set list will suck. Okay, that's harsh. The set list will suck for the dedicated and longtime fan. Open with "Under Pressure", straight into "Bus / Chicago", then "Cheap Sunglasses", next up "I Need You Tonight", the Eliminator trio, then "La Grange" and "Tush" to close things out. Maybe if your "lucky" they will play Pincushion. I'm not paying $200 to hear these songs, I've heard them a million times. But you know who will love them, or at least possibly recognize them - people who came to see Tom Petty and the Heartbreakers.
- Why would the band agree to be an opener for another act anyway? ZZ is certainly not as big as their prime in the '80's, but they still have a very strong following. Why constrict your playing time to one hour and take out some classic tunes? Why play in front of people that may not be able to name any song you've written in the past 25 years. Here's a hint - there is a song on Mescalero called "Stackin' Paper". The reason ZZ agreed to do this is to make the stack higher.
- The Top were scheduled to appear at the Kansas State Fair. They were leading in ticket sales for all acts associated with the Fair. I imagine many fans, many hard working blue collar fans with children were excited to see the group. The tickets were affordable and the majority of individuals in the audience would have actually been knowledgeable and appreciative of the group's songs and performance. A great fair for the family.
ZZ Top canceled the show advising that it conflicted with a date with Tom Petty. All at once the
band priced themselves out of the market for many fans , including me, and disappointed a lot of
followers. They agreed to play for people who like another band rather than play for people that like ZZ
Top. And for what? More paper.
- The last point did not actually originate in my mind. A fellow fan pointed out that ZZ and Petty will be playing in Houston. A band that sold 10 million copies of an album is willing to subject themselves to being an opener in their hometown. "Sell-out" is an ugly term, but I'm having trouble thinking of a better one.
Sadly ZZ Top has become increasingly complacent as it ages. The motivation and drive to record new music is gone. Quick and easy re-releases and live DVD's are put out one after the other, at little cost and subsequently high profit margins.
Gone is the genius, gusto and fire of the Bill Ham / Billy Gibbons team. And that is a Heartbreaker.
I gotta tell you, the old saying "don't over think it" is good advice. Being a dedicated fan and pursuer of all things ZZ, I of course tend to over think when it comes to news concerning the group. Here are some random thoughts that have struck me about the news concerning the tour w/ Petty:
- Have you seen the tickets for these shows? On 09/18/10 the bands will be playing in Raleigh, NC - an easy drive for me. But I'm not willing (or able) to pay $200 after fees and charges are added on. That's a lot of dough. Don't get me wrong, Tom Petty is great, I'm a big fan. But I'm not going to pay this amount of money to see any band outside of Led Zeppelin w/ Jason Bonham on drums.
- I can tell you right now - the set list will suck. Okay, that's harsh. The set list will suck for the dedicated and longtime fan. Open with "Under Pressure", straight into "Bus / Chicago", then "Cheap Sunglasses", next up "I Need You Tonight", the Eliminator trio, then "La Grange" and "Tush" to close things out. Maybe if your "lucky" they will play Pincushion. I'm not paying $200 to hear these songs, I've heard them a million times. But you know who will love them, or at least possibly recognize them - people who came to see Tom Petty and the Heartbreakers.
- Why would the band agree to be an opener for another act anyway? ZZ is certainly not as big as their prime in the '80's, but they still have a very strong following. Why constrict your playing time to one hour and take out some classic tunes? Why play in front of people that may not be able to name any song you've written in the past 25 years. Here's a hint - there is a song on Mescalero called "Stackin' Paper". The reason ZZ agreed to do this is to make the stack higher.
- The Top were scheduled to appear at the Kansas State Fair. They were leading in ticket sales for all acts associated with the Fair. I imagine many fans, many hard working blue collar fans with children were excited to see the group. The tickets were affordable and the majority of individuals in the audience would have actually been knowledgeable and appreciative of the group's songs and performance. A great fair for the family.
ZZ Top canceled the show advising that it conflicted with a date with Tom Petty. All at once the
band priced themselves out of the market for many fans , including me, and disappointed a lot of
followers. They agreed to play for people who like another band rather than play for people that like ZZ
Top. And for what? More paper.
- The last point did not actually originate in my mind. A fellow fan pointed out that ZZ and Petty will be playing in Houston. A band that sold 10 million copies of an album is willing to subject themselves to being an opener in their hometown. "Sell-out" is an ugly term, but I'm having trouble thinking of a better one.
Sadly ZZ Top has become increasingly complacent as it ages. The motivation and drive to record new music is gone. Quick and easy re-releases and live DVD's are put out one after the other, at little cost and subsequently high profit margins.
Gone is the genius, gusto and fire of the Bill Ham / Billy Gibbons team. And that is a Heartbreaker.
Wednesday, May 19, 2010
New Album Blues / State of Mind
I had yet to comment on the glaring absence this year, the continuing wait, the occasional wonder...where is that new album??
Having grown weary of the delay, I will throw one more discussion into the ring. The next time I venture on the subject will be if and when something new plays in my stereo....
For whatever reason, or combination of reasons, there is no indication that a new album has been worked on or is planned. Stunning really. Having newly signed to Sanctuary Records in 2008 under the control of Rick Rubin, who has a reputation for getting down to business and having limited patience for conclusive results, the general consensus pointed to a soon to be arriving album, with good reasoning. Further the fact the band's official web site in early 2009 had for a month or two a full page web greeting proclaiming a new album gave an easy assumption of fruitful anticipation. Nothing has materialized however, save for anniversary releases of old material and two great, but not new, live albums.
Obviously the band profits from the incessant touring, courtesy of ticket and merchandise sales. The aforementioned anniversary and live releases include commissions, and classics such as "Tres Hombres" and "Eliminator" are bound to sell a few copies here and there. No doubt that Sanctuary is taking its cut as well.
I've questioned the reasoning behind seven years without a new record in the face of seemingly ideal conditions. I'm actually tiring of wondering. My theory, until proven otherwise, is a combination of Billy living full time in Los Angeles away from his bandmates, a general apathy as the band grows older to work on their craft, and a reasonable worry or concern that a new release will be greeted with little fanfare from critics or the public. Lynyrd Skynyrd and AC/DC have proved that older bands can still put out pleasing and well received music (Skynyrd has one original member for mercy's sake and their new album still sold well!). Ultimately the main reason is probably apathy; a loss of spark, creativity and desire is evident if you peer just below the surface of the mystique.
No matter. Fourteen albums of original material, 100's of thankfully preserved live recordings, and the endless enjoyment of low down and dirty blues that continues to transcend the powerless constraints of time earns the group a well deserved and well preserved place in the ongoing and infinite chronicle of musical contribution.
Chronicles have chapters. Chapters have endings.
-----
If "Tejas" hasn't gotten a spin from your stereo lately I would suggest you give it a go. Southern Comfort and "Avalon Highway" is a powerful combination, taking you to the western Texas landscape and pinning you under the desert's auburn setting sun. The greatest album of ZZ's catelogue? Something to ponder and discuss in the future....
Having grown weary of the delay, I will throw one more discussion into the ring. The next time I venture on the subject will be if and when something new plays in my stereo....
For whatever reason, or combination of reasons, there is no indication that a new album has been worked on or is planned. Stunning really. Having newly signed to Sanctuary Records in 2008 under the control of Rick Rubin, who has a reputation for getting down to business and having limited patience for conclusive results, the general consensus pointed to a soon to be arriving album, with good reasoning. Further the fact the band's official web site in early 2009 had for a month or two a full page web greeting proclaiming a new album gave an easy assumption of fruitful anticipation. Nothing has materialized however, save for anniversary releases of old material and two great, but not new, live albums.
Obviously the band profits from the incessant touring, courtesy of ticket and merchandise sales. The aforementioned anniversary and live releases include commissions, and classics such as "Tres Hombres" and "Eliminator" are bound to sell a few copies here and there. No doubt that Sanctuary is taking its cut as well.
I've questioned the reasoning behind seven years without a new record in the face of seemingly ideal conditions. I'm actually tiring of wondering. My theory, until proven otherwise, is a combination of Billy living full time in Los Angeles away from his bandmates, a general apathy as the band grows older to work on their craft, and a reasonable worry or concern that a new release will be greeted with little fanfare from critics or the public. Lynyrd Skynyrd and AC/DC have proved that older bands can still put out pleasing and well received music (Skynyrd has one original member for mercy's sake and their new album still sold well!). Ultimately the main reason is probably apathy; a loss of spark, creativity and desire is evident if you peer just below the surface of the mystique.
No matter. Fourteen albums of original material, 100's of thankfully preserved live recordings, and the endless enjoyment of low down and dirty blues that continues to transcend the powerless constraints of time earns the group a well deserved and well preserved place in the ongoing and infinite chronicle of musical contribution.
Chronicles have chapters. Chapters have endings.
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If "Tejas" hasn't gotten a spin from your stereo lately I would suggest you give it a go. Southern Comfort and "Avalon Highway" is a powerful combination, taking you to the western Texas landscape and pinning you under the desert's auburn setting sun. The greatest album of ZZ's catelogue? Something to ponder and discuss in the future....
Monday, May 10, 2010
Trouble On the Road
A number of recordings have surfaced documenting the 2010 version of ZZ Top. I have also had an opportunity to speak with a number of individuals who have enjoyed a show this year.
Of surprise to many is that the band, despite the fan's probable immense excitement at hearing the tunes, dropped "Thunderbird" and "Francine" from the set list. The reasons for this are speculative at this time. One proposal is that the band doesn't enjoy playing the tunes (doubtful), another is the songs were not well received (really doubtful), or that they would rather play "Got Me Under Pressure" (I pray that's doubtful). The likely reason is the apparent inability for Billy and Dusty to harmonize.
After listening to the shows and discussing eye witness accounts, a prevalent issue appears to be Billy's voice. As most fans know his vocals took a distinct turn in the early to mid 1990's, from a distinct and defined low forceful howl to an increasingly softer, gruff and broken tone. Having been able to sing on key and somewhat melodically until the early 2000's, the past few years has seen a continued decrease in the power and conviction of his vocals. This is not to be unexpected. Voices mature and change over time. Few artists as they age are able to sing at the register and forcefullness of their youth. Several questions present themselves: has he failed to quit habits that increase the wear and tear on one's vocal chords (inhalation of smoke), does he take the time to warm up before shows so as to prevent excessive and unneccesary damage, and has he considered taking instructional therapy and/or lessons in order to learn how to preserve and care for his voice?
Contrary to Billy's experience, Dusty appears to be in good shape. Having of course lost some of his high register ability, his tone is still pleasing to the ear. This makes harmonizing with Billy all the more difficult. There are questions here as well though, to be discussed later.
I do enjoy the character, quality and maturity that Billy's low growl brings. Thankfully it suits ZZ's sound very well, low down and dirty blues. He shouldn't sound like Robert Plant in 1969, he should sound like a true veteran of rock.
This vocal change however does not seem to have gone unnoticed, by the band or the fans. If you have been to a show this year and would like to comment or contact me to discuss please do so, I would love to hear your opinions. I will comment on this matter more as the tour progresses.
**
LET IT BE KNOWN: despite any vocal inadequacy, the band musically is sounding great. Upbeat, tight, focused, electric, hard blues are fitting words to describe the Texas Trio, one of the greatest bands to ever come from the States, 40 years and running.
**
Of surprise to many is that the band, despite the fan's probable immense excitement at hearing the tunes, dropped "Thunderbird" and "Francine" from the set list. The reasons for this are speculative at this time. One proposal is that the band doesn't enjoy playing the tunes (doubtful), another is the songs were not well received (really doubtful), or that they would rather play "Got Me Under Pressure" (I pray that's doubtful). The likely reason is the apparent inability for Billy and Dusty to harmonize.
After listening to the shows and discussing eye witness accounts, a prevalent issue appears to be Billy's voice. As most fans know his vocals took a distinct turn in the early to mid 1990's, from a distinct and defined low forceful howl to an increasingly softer, gruff and broken tone. Having been able to sing on key and somewhat melodically until the early 2000's, the past few years has seen a continued decrease in the power and conviction of his vocals. This is not to be unexpected. Voices mature and change over time. Few artists as they age are able to sing at the register and forcefullness of their youth. Several questions present themselves: has he failed to quit habits that increase the wear and tear on one's vocal chords (inhalation of smoke), does he take the time to warm up before shows so as to prevent excessive and unneccesary damage, and has he considered taking instructional therapy and/or lessons in order to learn how to preserve and care for his voice?
Contrary to Billy's experience, Dusty appears to be in good shape. Having of course lost some of his high register ability, his tone is still pleasing to the ear. This makes harmonizing with Billy all the more difficult. There are questions here as well though, to be discussed later.
I do enjoy the character, quality and maturity that Billy's low growl brings. Thankfully it suits ZZ's sound very well, low down and dirty blues. He shouldn't sound like Robert Plant in 1969, he should sound like a true veteran of rock.
This vocal change however does not seem to have gone unnoticed, by the band or the fans. If you have been to a show this year and would like to comment or contact me to discuss please do so, I would love to hear your opinions. I will comment on this matter more as the tour progresses.
**
LET IT BE KNOWN: despite any vocal inadequacy, the band musically is sounding great. Upbeat, tight, focused, electric, hard blues are fitting words to describe the Texas Trio, one of the greatest bands to ever come from the States, 40 years and running.
**
Tuesday, May 4, 2010
Accounts From the Road / Lauging at ZZ Top
A number of fan accounts have come in regarding the new 2010 tour - all positive. Indications of enthusiastic and upbeat shows is great news. The band appears to be rejuvenated and enjoying themselves. Billy's voice seems to start off slowly but then improves; Dusty is as powerful as ever. The inclusion of a number of rare songs and the new cover of "Rock Me Baby" conveys a still burning musical desire - to do more than just the status quo. Let's hope as the tour progresses the group remembers to occasionally change things up, to keep it interesting for both them and the fans. For those reading this and planning on seeing them live this year, try to get within shouting distance and yell "My copy of Mescalero is worn out, I need a new album to listen to!!".
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A fellow ZZ Top fan pointed me in the direction of this hilarious website, definitely check it out!!
http://uncyclopedia.wikia.com/wiki/ZZ_Top
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A fellow ZZ Top fan pointed me in the direction of this hilarious website, definitely check it out!!
http://uncyclopedia.wikia.com/wiki/ZZ_Top
Tuesday, April 27, 2010
2010 Set List - Bee Cave, TX
04/25/10 - Backyard at Bee Cave
More surprises...
01) Thunderbird
02) Francine
03) Waitin' for the Bus
04) Jesus Just Left Chicago
05) Pincushion
06) I'm Bad, I'm Nationwide
07) Got Me Under Pressure
08) Future Blues
09) Rock Me Baby
10) Cheap Sunglasses
11) My Head's In Mississippi > I Need You Tonight
12) Hey Joe
13) Beer Drinkers and Hell Raisers
14) Party on the Patio
15) Brown Sugar
16) Just Got Paid
17) Sharp Dressed Man
18) Legs
Encore:
19) Viva Las Vegas
20) La Grange/Sloppy Drunk/Bar-B-Q medley
21) Tush
* Set list courtesy of the fantastic site: www.lowpft.com
More surprises...
01) Thunderbird
02) Francine
03) Waitin' for the Bus
04) Jesus Just Left Chicago
05) Pincushion
06) I'm Bad, I'm Nationwide
07) Got Me Under Pressure
08) Future Blues
09) Rock Me Baby
10) Cheap Sunglasses
11) My Head's In Mississippi > I Need You Tonight
12) Hey Joe
13) Beer Drinkers and Hell Raisers
14) Party on the Patio
15) Brown Sugar
16) Just Got Paid
17) Sharp Dressed Man
18) Legs
Encore:
19) Viva Las Vegas
20) La Grange/Sloppy Drunk/Bar-B-Q medley
21) Tush
* Set list courtesy of the fantastic site: www.lowpft.com
Saturday, April 24, 2010
Actively seeking 2010 shows on tape
I am actively and aggressively seeking recorded concerts from ZZ Top's shows in 2010. I will trade 3:1 for any show, regardless of sound quality. In some instances I would be willing to trade memorabilia in exchange for concerts. If you have recorded the group, or your friend has, or your friend's cousin's grandmother has, please let me know and we'll work out a deal to the enjoyment and benefit of all parties.
Thanks!
Thanks!
2010 Set List
04/23/2010 - Tyler, Texas - Set List
Some very nice additions here, including the iconic Dust My Broom!
1) Thunderbird
2) Francene
3) Waitin' For the Bus
4) Jesus Just Left Chicago
5) Pincushion
6) I'm Bad, I'm Nationwide
7) Got Me Under Pressure
8) Rock Me Baby (BB King cover)
9) My heads in Mississippi (intro only)
10) I Need You Tonight
11) Hey Joe
12) Brown Sugar
13) Party On the Patio
14) Dust My Broom
15) Just got Paid
16) Gimme All Your Lovin'
17) Sharp Dressed Man
18) Legs
Encore
19) Viva Las Vegas
20) La grange (including Sloppy Drunk / BBQ)
21) Tush
Set list courtesy of the excellent blog: http://zztopeurope2007.blogspot.com/
Some very nice additions here, including the iconic Dust My Broom!
1) Thunderbird
2) Francene
3) Waitin' For the Bus
4) Jesus Just Left Chicago
5) Pincushion
6) I'm Bad, I'm Nationwide
7) Got Me Under Pressure
8) Rock Me Baby (BB King cover)
9) My heads in Mississippi (intro only)
10) I Need You Tonight
11) Hey Joe
12) Brown Sugar
13) Party On the Patio
14) Dust My Broom
15) Just got Paid
16) Gimme All Your Lovin'
17) Sharp Dressed Man
18) Legs
Encore
19) Viva Las Vegas
20) La grange (including Sloppy Drunk / BBQ)
21) Tush
Set list courtesy of the excellent blog: http://zztopeurope2007.blogspot.com/
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